Oh I get that, I remember his other FF videos and I'm sure it'll get better. It's just funny that, considering this game has the absolute worst early-game of any FF, he chose to talk about robes and save points.
I tried giving Demo Reel a chance but sadly it just failed to grab me at all.For some reason the death of the Nostalgia Critic single-handedly made me lose all interest in TGWTG. I don't know why, I did like going to see videos from Phaelous and Film Brain, but without Nostalgia Critic there to punctuate me going to visit ever Wednesday, I now just skip the site entirely.
I'm wondering if he's doing this because his new project wasn't pulling people in (I thought it was awful) or if it's because everyone else was taking such a big hit without him headlining the site anymore? Regardless, I knew he'd be back to doing this within the year.http://thatguywiththeglasses.com/vi.../nostalgia-critic/38009-the-review-must-go-on
Right, who had "less than 6 months" before NC broke down and went back to reviewing?
Though, I have to admit, he really has improved as a film maker. There's some really great shots in this.
New rules: No cut off date. Any movies are open, except those currently in theatres. New review every two weeks instead of weekly.
Having done a bit of research, apparently only Doug Walker, Lyndsey Ellis, and Todd Nathanson receive money from Blip to support their videos. Even more, Doug Walker is the only payed employee of Channel Awesome... so everyone else is only getting advertising money from their videos.It really does seem to come back to the money. I KNOW that TGWTG has a million dollar advertising deal with Blip, but how much of that money actually goes to the producers and how much of that is going to the board and Doug Walker? It would be a dark irony if the indie internet kids became a shallow facsimile of the Hollywood system that pushed them away.
TitS (hahaha really) is really that popular? He kinds of annoys me.Having done a bit of research, apparently only Doug Walker, Lyndsey Ellis, and Todd Nathanson receive money from Blip to support their videos. Even more, Doug Walker is the only payed employee of Channel Awesome... so everyone else is only getting advertising money from their videos.
He and Lyndsey have been dating for quite some time. It's entirely possible that whatever contract she made with the board also included him or she may have negotiated it at the same time. I think Lyndsey gets some special perks because her reviewer identity is tied ENTIRELY to Doug's, so she can't just up and leave.TitS (hahaha really) is really that popular? He kinds of annoys me.
I appreciate that in spite of this tie, she doesn't try to be Nostalgia Critic - female edition, even in the sense of really doing much humor. Her videos lately seem more analysis that's occasionally punctuated by a sketch or humor bit, and I've found those little bits to be really funny.He and Lyndsey have been dating for quite some time. It's entirely possible that whatever contract she made with the board also included him or she may have negotiated it at the same time. I think Lyndsey gets some special perks because her reviewer identity is tied ENTIRELY to Doug's, so she can't just up and leave.
I honestly have no idea what you're talking about. I still think she's the best there is outside Oancitizen.It seems to me that the further Lyndsey gets along in art school, the further she gets from reality. There were points where she didn't even seem able to connect two threads of her own logic together in her LotR review, and I can't fathom how she's going to justify Wreck-It Ralph as one of the worst films of 2012 in her upcoming list.
You're not alone. He's really heavy handed in his opinions. It comes across to me as being jaded. "You have to surprise me, but give me exactly what I want when you do."I don't know who else followed Nostalgia Critic's Pixar Disney-cember or is following his current Dreamworks-uary (rundowns of those companies' films and what he thought). Am I the only one who's annoyed by how heavily he seems to weigh each film's comedy over its other elements? It feels like several movies, whether I liked them or not, complains that he would've liked "more jokes", while acknowledging that a movie may have a lot of good dramatic scenes instead, or that it was just trying to tell a story, not seeming to realize that those might have been more important than inserting extra comedy.
Hate to see if/when he does a Studio Ghibli month.You're not alone. He's really heavy handed in his opinions. It comes across to me as being jaded. "You have to surprise me, but give me exactly what I want when you do."