It's the biggest movie of the summer that practically no one has seen.
\"G.I. Joe: The Rise of Cobra\" opens Friday, but Paramount Pictures isn't screening the blockbuster for critics beforehand. Only a select few writers from blogs and movie Web sites have seen it for review - such as Harry Knowles, the self-professed \"Head Geek\" from Ain't It Cool News - and their opinions have been mostly positive.
Instead, the studio says it's intentionally aiming the movie at the heartland, at cities and audiences outside the entertainment vortexes of New York and Los Angeles. Paramount held a screening Friday for 1,000 military service members and their families at Andrews Air Force Base; it's also focusing marketing efforts in places like Kansas City, Charlotte, N.C., and Columbus, Ohio.
While appealing to a sense of patriotism nationwide, the plan also is inspired by the disparity that existed between the critical trashing \"Transformers: Rise of the Fallen\" received and the massive crowds it drew at the box office.
\"`G.I. Joe' is a big, fun, summer event movie - one that we've seen audiences enjoy everywhere from Andrews Air Force Base in Maryland to Phoenix, Ariz.,\" said Rob Moore, vice chairman of Paramount Pictures. \"After the chasm we experienced with `Transformers 2' between the response of audiences and critics, we chose to forgo opening-day print and broadcast reviews as a strategy to promote `G.I. Joe.' We want audiences to define this film.\"
With a reported production budget of $175 million and a cast that includes Dennis Quaid, Channing Tatum, Sienna Miller, Marlon Wayans and Joseph Gordon-Levitt, \"G.I. Joe\" follows the adventures of an elite team using high-tech spy and military equipment to take down a corrupt arms dealer. It comes from director Stephen Sommers, whose previous films include \"The Mummy\" and \"Van Helsing.\"
Long before anyone saw the completed product, though, \"G.I. Joe\" drew mixed buzz at best for its trailer, which premiered during the Super Bowl. Now it's the final action picture of the summer - and it has a lot in common with the highest-grossing film so far this year, the \"Transformers\" sequel. Both are effects-laden spectacles based on Hasbro toys and both are Paramount releases from producer Lorenzo di Bonaventura.
\"Transformers\" has gone on to gross more than $388 million in the United States alone since its opening six weeks ago, despite receiving just 20 percent positive reviews on the Web site Rotten Tomatoes, a critical aggregator. The withholding of \"G.I. Joe\" from mainstream critics suggests that the studios believe they can succeed at the box office without them.
It's a tactic normally reserved for horror movies or other genre pictures with built-in fans who don't necessarily care about reviews - ones based on video games, for example - not summer blockbusters. Still, \"G.I. Joe\" has been tracking well because it represents the last big bang of the season, said Paul Dergarabedian, box-office analyst for Hollywood.com.
\"They don't need (to screen) it and there's no upside to negative reviews. The film is going to open well no matter what,\" Dergarabedian said. \"They're being very strategic in who they show the movie to. If they can win over their core audience from these reviews, that's good for the movie.\"
Devin Faraci from the film Web site CHUD.com is one of the few writers who have seen it for review purposes, and not just for junket interviews. He's among the critics who've contributed to the movie's 88-percent positive rating as tabulated by Rotten Tomatoes, saying: \"If I was 10 years old, `G.I. Joe' would be one of the best movies I had ever seen.\"
Faraci said he was in Toronto recently when he received a phone call at 8:30 a.m. Los Angeles time, asking if he could come to the Paramount lot that day for a \"G.I. Joe\" screening. He flew back, got off the plane and headed right over.
\"It's silly. It's a film that plays on its own terms,\" he said. \"I don't think reviews will kill it but I think it'll get a more positive response than they expect. It's a big, silly, pulpy, cartoony action film and it makes no apologies for being that way.\"
This.Edrondol said:Not screening for critics means the film is warmed over shit on a paper plate.
I'm 32. By this point my childhood has been raped so many times I don't even notice anymore. Like the crack child with the dull look on her face being fucked for another ounce of heroin.AshburnerX said:You hear that sound? That thumping and moaning sound? THAT'S THE SOUND OF YOUR CHILDHOOD BEING RAPED BY HOLLYWOOD!
They did it already. The GI Joe of my childhood had "realistic facial hair" and the "kung-fu grip". and was also 12" high. The 3" high Rambozos of my teen years were beneath contempt.AshburnerX said:You hear that sound? That thumping and moaning sound? THAT'S THE SOUND OF YOUR CHILDHOOD BEING RAPED BY HOLLYWOOD!
It's because they don't need them for this type of movie. It's going to get it's money off of nostalgia, not critical acclaim.Kissinger said:This is really the first time a really big summer blockbuster has not been screened for critics. What really gets me, though, is the bolded quote in which a Paramount exec basically says "Fuck the critics, we don't need them."
That and its massive marketing campaign.Shakey said:It's because they don't need them for this type of movie. It's going to get it's money off of nostalgia, not critical acclaim.
That too.Kissinger said:That and its massive marketing campaign.Shakey said:It's because they don't need them for this type of movie. It's going to get it's money off of nostalgia, not critical acclaim.
North_Ranger said:Am I the only one who wasn't impressed with the trailer? Save for Mr Ecclestone's performance, it looked yawn-inducing in its blandness. Yeah yeah, Eiffel Tower falls down, big explosions, America fuck yeah...
The live action Scooby Doo was actually good though, or at least the first one was anyway. It poked fun at all the cliches inherent in the series while still being reverent to the series itself. It both made fun of AND honored the original source material, like any good modern remake should.Krisken said:Live action Scooby Doo is the first instance of that raping I can think of.
Exactly. Critics have always been cheap advertising for the studios. With movies like this they don't need it, so why risk losing sales due to bad reviews.Kissinger said:That and its massive marketing campaign.Shakey said:It's because they don't need them for this type of movie. It's going to get it's money off of nostalgia, not critical acclaim.
That, and, let's face it: American mainstream culture has been fairly ignorant for several decades now. As long as there are adults that have only read Harry Potter and/or Twilight in the last ten years, and people only care about how pretty a movie is, critics aren't going to matter. Critics don't matter to these people, because critics play on a field that is entirely above the field that the rest of Americans play on.Shakey said:It's because they don't need them for this type of movie. It's going to get it's money off of nostalgia, not critical acclaim.Kissinger said:This is really the first time a really big summer blockbuster has not been screened for critics. What really gets me, though, is the bolded quote in which a Paramount exec basically says "Fuck the critics, we don't need them."
True dat. And that is part of the reason why I think this G.I. Joe the movie will stink like a week-dead rat wrapped in jockstraps: there's no way in hell the movie can make fun of itself (save for kidding about everybody being about as accurate marksmen as Stormtroopers) without somebody getting pissed off and going on a patriotic rant. I remember how in Ye Olde Phorumes somebody (can't remember who) went on a tirade when the movie was suggested about being some kind of a covert UN/NATO task force ran from Brussels - and not about "real American heroes".AshburnerX said:The live action Scooby Doo was actually good though, or at least the first one was anyway. It poked fun at all the cliches inherent in the series while still being reverent to the series itself. It both made fun of AND honored the original source material, like any good modern remake should.
But it doesn't have to be crap. I think some of the recent comic book movies have shown that movies based on source material previously reserved for children can rise above and become quality movies themselves. Iron Man and the first two Spiderman movies are good examples.Shakey said:It's GI JOE. Of course it's going to be crap wrapped in explosions.
Ohbigcountry23 said:Movie critics are a dime a dozen. Any A-hole with an opinion and an outlet can be one. I look forward to the day when people stop listening to them and they go away.
you have them confused with internet posters, and well I've just stopped listening to you :smug:bigcountry23 said:Movie critics are a dime a dozen. Any A-hole with an opinion and an outlet can be one. I look forward to the day when people stop listening to them and they go away.
True, but those comics already had some fairly good story lines to work with. GI Joe never had that. The only thing that made GI Joe great was our memories of playing with the toys and watching shit blow up.Tress said:But it doesn't have to be crap. I think some of the recent comic book movies have shown that movies based on source material previously reserved for children can rise above and become quality movies themselves. Iron Man and the first two Spiderman movies are good examples.Shakey said:It's GI JOE. Of course it's going to be crap wrapped in explosions.
When talking about movie critics, I'm not referring to your average idiot with a blog (someone like me, for instance). I'm talking about people who have perspective, experience, and insight into cinema as an art form. Critics serve an important purpose. They're there to help you, Average Movie Goer, decide the best way to spend your movie dollar. In addition to that, they are there to guide you, Average Movie Goer, to smaller films that are interesting, innovative, or unique in some way. They provide insight, promote discussion, and help you become a better movie fan. Again, I'm talking about the good film critics, here. Their entire role is to help you find good movies, and encourage you to think about them. That's all their job is.bigcountry23 said:Movie critics are a dime a dozen. Any A-hole with an opinion and an outlet can be one. I look forward to the day when people stop listening to them and they go away.
Critics are important for calling out artists for lazy work and not furthering the art form. Without them you get stagnation, like the mainstream music industry... and it's already looking like the US movie industry is heading that way.bigcountry23 said:Movie critics are a dime a dozen. Any A-hole with an opinion and an outlet can be one. I look forward to the day when people stop listening to them and they go away.
Kissinger said:Even though these people are generally siding with me on this, I have trouble taking anyone who brings up Idiocracy in a discussion on culture seriously.
See, this is sort of where I am. Joseph Gordon-Levitt is a really solid actor who tends to make some pretty brave choices. I certainly don't begrudge him this paycheck, and I'm curious what he'll do in a big time blockbuster. Also of note in this movie: Channing Tatum, a fine young upcoming actor.Espy said:I heard that JGLevitt is pretty freaking insane as Cobra Commando. Even though I know it's going to be a horrible movie dude has earned his cred. I'll see it one way or the other just to see him.
Wait, how did I miss this? I might have to check it out (on vid, of course). He's been pretty good in everything I've seen him in.Espy said:I heard that JGLevitt is pretty freaking insane as Cobra Commando. Even though I know it's going to be a horrible movie dude has earned his cred. I'll see it one way or the other just to see him.
That's a fair point. Still, and I may be overly-optimistic here, I would like to think some good writing and directing could overcome the lack of source material. Instead, we've got shallow crap that is just as bad (if not worse) than the cartoon ever was.Shakey said:True, but those comics already had some fairly good story lines to work with. GI Joe never had that. The only thing that made GI Joe great was our memories of playing with the toys and watching poop blow up.Tress said:But it doesn't have to be crap. I think some of the recent comic book movies have shown that movies based on source material previously reserved for children can rise above and become quality movies themselves. Iron Man and the first two Spiderman movies are good examples.Shakey said:It's GI JOE. Of course it's going to be crap wrapped in explosions.
sixpackshaker said:At the risk of sounding Jingoistic, GI Joe should be a group of US soldiers. After all that is what the term means. If you want to have a UN/NATO force, come up with another property to use in that way.
The guy looks more like an emo sub-zero then Cobra Commander.Frankie said:The toy doesn't really look like the movie mask.
I must have missed the post you're referring to. Who invoked Idiocracy?Kissinger said:Even though these people are generally siding with me on this, I have trouble taking anyone who brings up Idiocracy in a discussion on culture seriously.
This is the main thing I go to Rotten Tomatoes for. I want to see how a movie rates on average, obviously, but I also want to know WHY people didn't like a movie that caught my interest. I read a smattering of negative reviews, then a couple of positive reviews and decide on my own.Kissinger said:read some of the reviews that disagree with you
It was dis guyRob King said:I must have missed the post you're referring to. Who invoked Idiocracy?Kissinger said:Even though these people are generally siding with me on this, I have trouble taking anyone who brings up Idiocracy in a discussion on culture seriously.
That's a reference to the movie, which features a movie theater playing a film called "Ass"GeneralOrder24 said:And the number one movie in America was called "Ass," and that's all it was, for two hours.
Oh, alright. I thought you might have skimmed my post and concluded that that was what I was doing.Kissinger said:It was dis guyRob King said:I must have missed the post you're referring to. Who invoked Idiocracy?Kissinger said:Even though these people are generally siding with me on this, I have trouble taking anyone who brings up Idiocracy in a discussion on culture seriously.
That's a reference to the movie, which features a movie theater playing a film called "Ass"GeneralOrder24 said:And the number one movie in America was called "Ass," and that's all it was, for two hours.
Personally I'd rather leave my childhood memories as just that. I really don't care what they do to anything I enjoyed as a kid. Like I said before, the only reason I really liked any of these shows was because they had some kick ass toys. My imagination was what made them enjoyable. I don't expect anything to change.Tress said:That's a fair point. Still, and I may be overly-optimistic here, I would like to think some good writing and directing could overcome the lack of source material. Instead, we've got shallow crap that is just as bad (if not worse) than the cartoon ever was.Shakey said:True, but those comics already had some fairly good story lines to work with. GI Joe never had that. The only thing that made GI Joe great was our memories of playing with the toys and watching poop blow up.Tress said:But it doesn't have to be crap. I think some of the recent comic book movies have shown that movies based on source material previously reserved for children can rise above and become quality movies themselves. Iron Man and the first two Spiderman movies are good examples.Shakey said:It's GI JOE. Of course it's going to be crap wrapped in explosions.
Pfft. Imagination is for...uh...people who...are...uh...dumb.Shakey said:My imagination was what made them enjoyable.
PEOPLE WITHOUT IMAGINATION ARE RUINING AMERICA!!!!MindDetective said:Pfft. Imagination is for...uh...people who...are...uh...dumb.Shakey said:My imagination was what made them enjoyable.
... I can't see that.Shakey said:PEOPLE WITHOUT IMAGINATION ARE RUINING AMERICA!!!!MindDetective said:Pfft. Imagination is for...uh...people who...are...uh...dumb.Shakey said:My imagination was what made them enjoyable.
That sounds suspiciously like what someone with an imagination would say. Get 'im!Shakey said:PEOPLE WITHOUT IMAGINATION ARE RUINING AMERICA!!!!MindDetective said:Pfft. Imagination is for...uh...people who...are...uh...dumb.Shakey said:My imagination was what made them enjoyable.
I'm not sure what point you're trying to make with this post, if any.MindDetective said:Pfft. Imagination is for...uh...people who...are...uh...dumb.
Use your imagination.Kissinger said:I'm not sure what point you're trying to make with this post, if any.MindDetective said:Pfft. Imagination is for...uh...people who...are...uh...dumb.
Oh lord, no. If anything, I'd say that movies that don't leave any room for your own interpretation (at least in some respect) are lacking. I'd rather not have a film that treats me like I can't fill in the pieces. Less is more, and all that.Kissinger said:I thought that you might be trying to say that people who criticize movies like this don't have any imagination or something like that.
Please, say that was sarcasm. Channing Tatum is a shitty, shitty actor. He's another Marky Mark, Ashton Kutcher, etc. It makes sense that he is in this movie.Kissinger said:See, this is sort of where I am. Joseph Gordon-Levitt is a really solid actor who tends to make some pretty brave choices. I certainly don't begrudge him this paycheck, and I'm curious what he'll do in a big time blockbuster. Also of note in this movie: Channing Tatum, a fine young upcoming actor.Espy said:I heard that JGLevitt is pretty freaking insane as Cobra Commando. Even though I know it's going to be a horrible movie dude has earned his cred. I'll see it one way or the other just to see him.
Still probably gonna skip this unless someone makes a very compelling argument for it.
Well sure he was in Step Up and Step Up 2: The Streets, but that just means that when he's captured by Cobra, as shown in the tv commercials, he'll be able to dance his way out! It'll be great. Him and a bunch of Joes sent in to rescue him have a dance-off with Cobra Commander, Destro and others. The winners get the McGuffin. IT CAN'T FAIL!Charlie Dont Surf said:Haha, wow, Channing Tatum might have the worst IMDB filmography I've ever seen
Nah, I think he's got a lot of unrealized potential. He's certainly been in some bad movies, but I don't think he's the reason those movies were bad. I could be wrong about him, though. I suppose we'll see as his career develops.drawn_inward said:Please, say that was sarcasm. Channing Tatum is a shitty, shitty actor. He's another Marky Mark, Ashton Kutcher, etc. It makes sense that he is in this movie.
I do agree that Levitt has some talent, and has made some interesting movies.
http://www.imdb.com/title/tt1046173/BlackCat said:and who is the chick who plays the baroness?
nah, I know. It's just frustrating to hear a major studio VP talk about critics being irrelevant, when critics do NOTHING BUT HELP STUDIOS, FILMMAKERS, AND FILMGOERS BY PROMOTING FILMS THEY THINK ARE WORTH YOUR TIME. That's all they do! They put the name of the movie in the paper and the studio doesn't have to pay a dime for that!drawn_inward said:Kissinger, can you rename the thread. It's not that serious.
HOLY Shit! They make a living watching movies! That's all they Do!Kissinger said:nah, I know. It's just frustrating to hear a major studio VP talk about critics being irrelevant, when critics do NOTHING BUT HELP STUDIOS, FILMMAKERS, AND FILMGOERS BY PROMOTING FILMS THEY THINK ARE WORTH YOUR TIME. That's all they do! They put the name of the movie in the paper and the studio doesn't have to pay a dime for that!drawn_inward said:Kissinger, can you rename the thread. It's not that serious.
Harumph!
Exactly, but if the studio knows that everything the critic says about the movie is going to be negative, why even give them the chance? They have obviously spent enough money so that every one knows it's coming out. What would they have to gain? Critics only really help smaller movies gain more attention. They may help some bigger budget movies get some positive reinforcement, but they already have the advertising budget to get their name out there.Kissinger said:That's all they do! They put the name of the movie in the paper and the studio doesn't have to pay a dime for that!
Harumph!
This is the first time they haven't screened a huge summer tentpole type blockbuster movie. At least the first I can remember. And find the part where he says good movies will cease to exist because of this. Go on, I'll wait for you.Shawnacy said:This another whiny Kissinger thread?
It's not like this is the first time a studio hasn't screened a movie for critics. Every time Kissinger and friends have a rant about how good movies will cease to exist because of poorly written summer blockbusters I always picture...
Going back through that 20 page TF2 flame war (I have way too much free time at work) I can verify that you are correct and I owe Kissinger an apology. The above sign should instead be carried by Dark Audit, Eljuski, @Li3n, and Shannow who all did directly claim that well-made films will putter out of existence due to dumber audiences impressed by loud explosions and fart jokes.Charlie Dont Surf said:This is the first time they haven't screened a huge summer tentpole type blockbuster movie. At least the first I can remember. And find the part where he says good movies will cease to exist because of this. Go on, I'll wait for you.
Bleh. Kung Fu Daphne and Stupid Fred (Lawdsamercy, can't have a SMART white male leader--that's racist and sexist) capped off by some terrible computer animation killed it for me.AshburnerX said:The live action Scooby Doo was actually good though, or at least the first one was anyway. It poked fun at all the cliches inherent in the series while still being reverent to the series itself. It both made fun of AND honored the original source material, like any good modern remake should.Krisken said:Live action Scooby Doo is the first instance of that raping I can think of.
And I stand by that statement. The lowest common denominator bar gets lowered with each passing summer.Shawnacy said:Going back through that 20 page TF2 flame war (I have way too much free time at work) I can verify that you are correct and I owe Kissinger an apology. The above sign should instead be carried by Dark Audit, Eljuski, @Li3n, and Shannow who all did directly claim that well-made films will putter out of existence due to dumber audiences impressed by loud explosions and fart jokes.Charlie Dont Surf said:This is the first time they haven't screened a huge summer tentpole type blockbuster movie. At least the first I can remember. And find the part where he says good movies will cease to exist because of this. Go on, I'll wait for you.
I seemed to have missed the trailer where you have deduced that GI JOE is not a film ripe with shinies and explosions and will indeed be a well written summer blockbuster.DarkAudit said:In that thread I blamed the "turn off your brain" fainbois who will swallow any poop shoveled their way if there were enough shinies and explosions to flavor it. And just as I predicted, it fell off the radar with astonishing speed as July drew to a close.
This movie is not one of those. I was looking forward to this one.
How was Fred EVER smart in the TV show? He basically existed to drive the van, tell everyone to split up once an episode, and be Mr. Exposition whenever Velma wasn't (which was rare). As for Kung Fu Daphne... do I really need to point out how played the distressed damsel stereotype is? They even make a point of her getting sick of it herself. I'll admit, however, that it had probably had more to do with Sarah Michelle Geller's previous role as Buffy than an attempt at humor.fade said:Bleh. Kung Fu Daphne and Stupid Fred (Lawdsamercy, can't have a SMART white male leader--that's racist and sexist) capped off by some terrible computer animation killed it for me.
Considering that nearly every movie in history that has ever skipped critic screenings has been close to awful, history suggests the same fate will befall Joe. But for all we know this is just a new trick by their marketing to increase sales, or simply to reduce the costs of setting up those free screenings. Guess we'll just have to see the movie and make our own judgment this time.Kissinger said:Yeah, for all the money being spent on this movie, it's a very odd decision to not screen it for critics. This is a move that is usually reserved for movies with no budget to schedule screenings, or no faith from the studio. As I was implying earlier, reviews (even bad ones!) are basically free advertising. People scrolling through movie reviews or scanning the paper see it and say, "Oh, yeah! G.I. Joe is coming out this weekend!" Also, with screenings, they can pull a bunch of lines and quips for ads on opening weekend. It's just very strange. The budget is something like $170 million, so you'd think that Paramount would have faith in the film.
Or not see it and live without judgment.Shawnacy said:Guess we'll just have to see the movie and make our own judgment this time.
I deduced no such thing. I await reports from the field just as you do. :moon:Shawnacy said:I seemed to have missed the trailer where you have deduced that GI JOE is not a film ripe with shinies and explosions and will indeed be a well written summer blockbuster.DarkAudit said:In that thread I blamed the "turn off your brain" fainbois who will swallow any poop shoveled their way if there were enough shinies and explosions to flavor it. And just as I predicted, it fell off the radar with astonishing speed as July drew to a close.
This movie is not one of those. I was looking forward to this one.
Or not see it and judge it anyway because, well, why the hell not?MindDetective said:Or not see it and live without judgment.Shawnacy said:Guess we'll just have to see the movie and make our own judgment this time.
Charlie Dont Surf said:you have them confused with internet posters, and well I've just stopped listening to you :smug:bigcountry23 said:Movie critics are a dime a dozen. Any A-hole with an opinion and an outlet can be one. I look forward to the day when people stop listening to them and they go away.
Not necessarily a bad thing.Gusto said:I think this movie will fall on the laughable side of over-the-top ridiculousness.
My point exactly! While descriptions I've heard of T2:ROTF made it seem like the kind of ridiculousness that made one want to tear out their own eyes, THIS seems like the kind on nonsense that can be manic and hilarious as well.DarkAudit said:Not necessarily a bad thing.Gusto said:I think this movie will fall on the laughable side of over-the-top ridiculousness.
I know your joking, but didn't this EXACT THING HAPPEN in GI Joe: Sigma Six? I know they had younger kids running around... and a robotic dog, I think.Frankie said:In order for G.I. Joe to suck as badly as Transformers it has to do a couple of things.
1) It'll only show the G.I. Joe team in very sparse bits throughout the movie, deciding instead to focus on the younger teenage brother of Duke who is having a really rough time in his first year of high school.
You're kidding right? Fred was the leader. He made all the plans, and when the case was over he, along with Velma was always the one to express that he knew what was going on, saying something like "and that just about wraps it up", or "I think we've pretty much figured it out. Now all we need to do is this elaborate scheme (presumably invented by him) to catch the guy". Velma was the knowledge-brains, but Fred was always the planning/sleuthing brains--though Fred was sometimes the guy who pointed out the glass was from X or what have you. I could probably go to youtube and find all the specific examples in my head (in fact, I know this to be true because I just watched the Scooby Doo marathon on Cartoon Network this weekend) but I won't because that's a lot of work.AshburnerX said:How was Fred EVER smart in the TV show? He basically existed to drive the van, tell everyone to split up once an episode, and be Mr. Exposition whenever Velma wasn't (which was rare). As for Kung Fu Daphne... do I really need to point out how played the distressed damsel stereotype is? They even make a point of her getting sick of it herself. I'll admit, however, that it had probably had more to do with Sarah Michelle Geller's previous role as Buffy than an attempt at humor.fade said:Bleh. Kung Fu Daphne and Stupid Fred (Lawdsamercy, can't have a SMART white male leader--that's racist and sexist) capped off by some terrible computer animation killed it for me.
The CG wasn't that great though... I'll admit that. It was like they couldn't decide if they wanted it to be cartoony or realistic.
Oh he had a plan alright: Scooby, Shaggy and Velma go check out the downstairs while he and Daphne check out the bedroom.AshburnerX said:I would like to point out that Fred has NEVER made a successful plan. Ever. Yes, this is more to Scooby and Shaggy's bumbling than his skills, but you'd think he'd have figured out after the 3rd or 4th time that it happened that step one should always be "Send Shaggy and Scooby somewhere else" instead of letting them constantly smurf things up.
The Johnny Bravo episode that makes fun of Scooby Doo is priceless for this exact moment.Fun Size said:Oh he had a plan alright: Scooby, Shaggy and Velma go check out the downstairs while he and Daphne check out the bedroom.AshburnerX said:I would like to point out that Fred has NEVER made a successful plan. Ever. Yes, this is more to Scooby and Shaggy's bumbling than his skills, but you'd think he'd have figured out after the 3rd or 4th time that it happened that step one should always be "Send Shaggy and Scooby somewhere else" instead of letting them constantly smurf things up.
That 85% is from people the studio has cherry-picked (harry knowles) to watch the movie that are very likely to give it a good reviewCynicismKills said:Scoring a whopping 85% on rottentomatoes last I looked, I guess some folks in the UK got to watch it already.
So you're ok with critics seeing it early as long as they agree with what you already think?Charlie Dont Surf said:That 85% is from people the studio has cherry-picked (harry knowles) to watch the movie that are very likely to give it a good reviewCynicismKills said:Scoring a whopping 85% on rottentomatoes last I looked, I guess some folks in the UK got to watch it already.
Ahh, I see. Yeah, only two bad reviews last I looked, and even the good ones seem to start with "If I were 10 this would be awesome" or "Despite a bad story, wonky AGI and etcetc."Charlie Dont Surf said:That 85% is from people the studio has cherry-picked (harry knowles) to watch the movie that are very likely to give it a good reviewCynicismKills said:Scoring a whopping 85% on rottentomatoes last I looked, I guess some folks in the UK got to watch it already.
Huh? I'm just stating how they saw it even though it's not being mass-screened for all reviewers. I don't think anything about the movie really yet. I would like all critics to get a crack at movies before they come out so they can have reviews in papers and such before Friday.Krisken said:So you're ok with critics seeing it early as long as they agree with what you already think?Charlie Dont Surf said:That 85% is from people the studio has cherry-picked (harry knowles) to watch the movie that are very likely to give it a good reviewCynicismKills said:Scoring a whopping 85% on rottentomatoes last I looked, I guess some folks in the UK got to watch it already.
Huh? I'm just stating how they saw it even though it's not being mass-screened for all reviewers. I don't think anything about the movie really yet. I would like all critics to get a crack at movies before they come out so they can have reviews in papers and such before Friday.[/quote:86d1gec5]Charlie Dont Surf said:So you're ok with critics seeing it early as long as they agree with what you already think?Krisken said:[quote="Charlie Dont Surf":86d1gec5]That 85% is from people the studio has cherry-picked (harry knowles) to watch the movie that are very likely to give it a good reviewCynicismKills said:Scoring a whopping 85% on rottentomatoes last I looked, I guess some folks in the UK got to watch it already.
Why don't you agree with it?Krisken said:Ah, I see. I don't really agree with it, but I can respect it.
Because all of this centers on opening weekend numbers. I don't care how a movie does in one weekend, so I have no feeling that a critic should get some sort of special treatment and be allowed to see it early.Kissinger said:Why don't you agree with it?Krisken said:Ah, I see. I don't really agree with it, but I can respect it.
You may not care about opening weekend numbers, but the studios sure do. Opening weekend is pretty much the best way to determine the success of the marketing campaign for a wide release. That, and lines like "#1 movie in America" are pretty powerful advertising statements. Critics and their reviews allow people to be just a bit more informed when they decide which movie to see. Without critics, moviegoers would have no line of defense between them and studio marketing. Audiences would lose without critics. That's one of the services critics provide. I guess I just don't get why you dislike the idea of critics so much.Krisken said:Because all of this centers on opening weekend numbers. I don't care how a movie does in one weekend, so I have no feeling that a critic should get some sort of special treatment and be allowed to see it early.
The movie industry would survive without critics. I understand you guys would like your favorite critics to see the movie first to get an idea on the movie, and that's fine. It wouldn't hurt you to wait a week to see it after your favorite critic has seen it and given their view.
Obviously in this case, they studio doesn't care.Kissinger said:You may not care about opening weekend numbers, but the studios sure do. Opening weekend is pretty much the best way to determine the success of the marketing campaign for a wide release. That, and lines like "#1 movie in America" are pretty powerful advertising statements. Critics and their reviews allow people to be just a bit more informed when they decide which movie to see. Without critics, moviegoers would have no line of defense between them and studio marketing. Audiences would lose without critics. That's one of the services critics provide. I guess I just don't get why you dislike the idea of critics so much.Krisken said:Because all of this centers on opening weekend numbers. I don't care how a movie does in one weekend, so I have no feeling that a critic should get some sort of special treatment and be allowed to see it early.
The movie industry would survive without critics. I understand you guys would like your favorite critics to see the movie first to get an idea on the movie, and that's fine. It wouldn't hurt you to wait a week to see it after your favorite critic has seen it and given their view.
I dont dislike critics.Krisken said:Obviously in this case, they studio doesn't care.Kissinger said:You may not care about opening weekend numbers, but the studios sure do. Opening weekend is pretty much the best way to determine the success of the marketing campaign for a wide release. That, and lines like "#1 movie in America" are pretty powerful advertising statements. Critics and their reviews allow people to be just a bit more informed when they decide which movie to see. Without critics, moviegoers would have no line of defense between them and studio marketing. Audiences would lose without critics. That's one of the services critics provide. I guess I just don't get why you dislike the idea of critics so much.Krisken said:Because all of this centers on opening weekend numbers. I don't care how a movie does in one weekend, so I have no feeling that a critic should get some sort of special treatment and be allowed to see it early.
The movie industry would survive without critics. I understand you guys would like your favorite critics to see the movie first to get an idea on the movie, and that's fine. It wouldn't hurt you to wait a week to see it after your favorite critic has seen it and given their view.
I don't dislike critics. I just don't care what they think.