With school-age children of my own, I know this is a crucial issue and school districts across the U.S. have responded in kind. The Cincinnati school district signed on to bus 40,000 of their students to the movie - but because the appeals board retained the R rating, the school district will have to cancel those plans.
Eh, not reallyThe MPAA is a fickle load of shit.
However, in steinman's defense, the "one fuck for PG-13" rule has been pretty consistent.
Only if they can actually convince a theatre to carry it. Which is hard enough with an NC-17 rating, let alone without a rating at all.So even that's down to "whatever the fuck we feel like at the moment".
I'm curious what would go on with a movie that doesn't get submitted to the MPAA. Does it go into theaters as Not Rated?
Yes and no. They could, but most theaters are owned by mega-corporations who contract to only show movies which have been rated by the MPAA. Only art houses and small independent theaters can get away with showing unrated and it's the same as making sure hardly anyone sees it.Couldn't anybody just make up their own system?
It was as strong as yours. I figured a retort of the same factual basis was in order.Ah! In one fell swoop you have fully gutted all my arguments. I am lost!
This question was already answered while you were ranting.I'm curious why some who haven't seen it are suggesting that it shouldn't have been given R. There should be a reason behind this anger - in what way did the MPAA wrong this film, and are people just reading from the film's press release and discussion with reporters to get their opinions on the rating of the film?
It still hasn't been answered. I don't see anything from anyone suggesting that they've seen the film and that they disagree with the rating based on what they saw. Perhaps you are talking about Dave pointing out the inconsistencies in the MPAA rating system? That doesn't say anything about this film, and is less than a few percent of all the films they've rated over the last few decades, so it's hardly representative.This question was already answered while you were ranting.
The only one where I don't see the reason is 16 candles - which I haven't seen."16 Candles" - Full frontal female nudity, language, underage drinking. Rated PG.
"The Aristocrats" - Strong language, no nudity, no violence. NC-17 (taken away from the MPAA so no rating)
"Scarface" - Full frontal female nudity, language, extreme violence, extreme drug use. Rated R.
"The Sure Thing" - Man's naked butt, no language, no violence. Rated PG-13.
"The Shawshank Redemption" - Language, violence, no nudity. Rated R.
"The Passion of the Christ" - Violence, no nudity, no language. Rated R.
"Pretty Woman" - No nudity, mild violence, mild language. Rated R.
"Dances With Wolves" - Male nudity, violence, mild language. Rated PG-13.
Tell me where the rhyme or reason is. If you'd like me to I could certainly go on.
You mean, like they're doing?Ah. I disagree that a film should receive a rating based on its audience rather than its content.
If this film is important for youth to see, why don't they forego the rating...
If it's so important that kids in schools see the movie perhaps they should have released the movie directly to digital, or dvd, bypassing the need for an MPAA. Or even send copies to schools to watch, instead of banking on a wide theater release and getting large groups to go and purchase group tickets.It's obvious you're arguing for the sake of it when your point has already been refuted and your questions answered Stein. It was expressly stated how giving it an R rating was going to dramatically hurt the impact on the film's perspective and most needed audience.
Ugh, I need to finish reading the thread before I start replying.You mean, like they're doing?
Because you couldn't tell they're fake?If I worked at a theater, I would allow SO many fake IDs if it were to see dis movie.
I'm crazy, not blind! I can see through deception.Because you couldn't tell they're fake?
And flame-war in 3-2-1...Question: Why do we hold documentaries to the same standards as scripted films? I mean, I'm no idiot, I know that documentaries are edited to laid out to at least some kind of narrative and interesting flow, but the point of the genre is to examine or capture the facts about something in an informative and entertaining fashion. Why the hell it is considered appropriate to judge a film that shows the real day-to-day problems of real kids with the same standards you us to judge Clerks or The Big Lebowski? It doesn't make any sense to me. Documentaries attempt to show reality, albeit from the filmmaker's viewpoint, and reality is not always nice.
Why? I'm not saying that documentaries shouldn't carry advisories of their content, I'm not saying that they shouldn't go through some kind of checking process, I'm saying that a slightly more utilitarian review of their content should be made. Something like:And flame-war in 3-2-1...
That's true, but generally speaking the director of a documentary isn't telling his subjects "Ok, now call him a cocksucker and whip out your dick!" or "Ok, now we're going to have this patient vomit up some blood." They're not (usually) manufacturing the events or the reactions of people, they're manufacturing the lens through which the audience sees them.Because documentaries are still extremely biased? Most documentaries are still heavily biased in its scope and craft.
...I'm honestly not sure how to respond to that comment. I mean, if there is violent and sexual content it should be heavily rated so to warn parents, but if it's educational with a good message than teens should be able to see it with-out persecution. Maybe an "Rated RE" like restricted to those under 17 unless for educational purposes. Course I'm not sure that would help either. A conundrum indeed.Why? I'm not saying that documentaries shouldn't carry advisories of their content, I'm not saying that they shouldn't go through some kind of checking process, I'm saying that a slightly more utilitarian review of their content should be made. Something like:
The AristocratsThis film has been reviewed by the MPAA and has been found to be in compliance United States obscenity laws, contains no explicitly pornographic material, and is not considered exploitative in nature.This film contains the follow elements that some viewers may find objectionable:
Extreme Sexual Language Extreme Vulgar Language Extreme Foul Language Extreme Descriptions of Violence
Hell, it would probably be better if every film was judged that way. However, without completely rewriting the current rating system, documentaries should get some kind of different guideline based on (presumed) didactic content.
See, I think the purpose of "rating" a documentary should be to inform, not to restrict. Essentially the equivalent of a Super-PG - "Parents, you're really going to want to either look into the content of this film before you let your kids see it or better yet, watch it with them."...I'm honestly not sure how to respond to that comment. I mean, if there is violent and sexual content it should be heavily rated so to warn parents, but if it's educational with a good message than teens should be able to see it with-out persecution. Maybe an "Rated RE" like restricted to those under 17 unless for educational purposes. Course I'm not sure that would help either. A conundrum indeed.
Ah yes, similar to the "Rated E ages 10 and up". Only it sounds even sillier. I was also pretty much joking about the flame-war thing.See, I think the purpose of "rating" a documentary should be to inform, not to restrict. Essentially the equivalent of a Super-PG - "Parents, you're really going to want to either look into the content of this film before you let your kids see it or better yet, watch it with them."
I mean, I get what you're saying, but you're not looking at documentaries as the broad spectrum it is.See, I think the purpose of "rating" a documentary should be to inform, not to restrict. Essentially the equivalent of a Super-PG - "Parents, you're really going to want to either look into the content of this film before you let your kids see it or better yet, watch it with them."
So your argument revolves primarily around the belief that if it's real, then kids should be able to see it without parental permission, regardless of content? Or that standards should be relaxed if it's "real"?Why the hell it is considered appropriate to judge a film that shows the real day-to-day problems of real kids with the same standards you us to judge Clerks or The Big Lebowski? It doesn't make any sense to me.
I'm arguing that the context objectionable material is presented in is more important than just material being objectionable. A documentary about an ethnic cleansing could come up with images and descriptions that would make Eli Roth blush but that would not make it equal to Hostel. An R-Rating means, usually though there may be a few exceptions, that schools do not even have the option of showing it. Sometimes that applies to unrated material as well. What documentaries should get from the MPAA is an unbiased fact sheet describing their content - the kind of thing a teacher would be able to print off and send home as part of a permission slip.So your argument revolves primarily around the belief that if it's real, then kids should be able to see it without parental permission, regardless of content? Or that standards should be relaxed if it's "real"?
THAT IS NOT MY ARGUMENT. My argument is that saying "This film, which documents real life goings on and has educational potential, has naughty words or violent images in it so let's place it in the same category as The Hangover and ensure that it can never be used widely as an educational tool below the college level" is fucking stupid. If you put health class videos about birth and sexual development in front of the MPAA, you'd probably end up with some R-ratings for graphic content. Should those videos be taken out of schools?I would like you first to give a loophole free definition of a "documentary" that would clearly differentiate between "real" and "scripted" so that we can choose examples of existing "documentaries" and "scripted films" that would gut your argument that children should be able to watch "documentaries" without restriction, or with relaxed standards, or with different standards that couldn't also apply equally well to scripted films.
Oh yeah, having it rated publicly is much worse than bitter old men and women and the church doing it arcanely in complete secrecy.MPAA will still be better than the alternative. Having some Government Official decide what you can and can not see.
The MPAA operates in secrecy, the government is required to have a certain level of transparency.MPAA will still be better than the alternative. Having some Government Official decide what you can and can not see.
Though I have seen more R (Canadian NC-17) movies in Canada than I think they've released in the US. According to Wikipedia, BC is ruining it for everyone by some BC theaters refusing to screen R rated movies. I know that isn't the case here, Cineplex theaters here have always shown the R rated movies. I can't imagine Cineplex in BC would be any different.The MPAA operates in secrecy, the government is required to have a certain level of transparency.
And our films are rated by a government board yet our ratings are all significantly more lenient than the ones in the States.
Because actually researching what your (in the general sense, not the personal) will be exposed to is haaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaard. I don't care if the MPAA breaks it down like:But, I don't agree. I have to agree with Steinman. People want to know whether there's language in this film, and until their kid is 17, they have a right to determine whether that's appropriate (just like the actually DO with sex ed videos shown in school). They may appreciate the message and still hate that there is so much language, and that's their right, whether we like it or not. It really is that simple to a lot of people who want the ratings to tell them how much cursing or adult situations to expect at a glance.
...an edited version of the film will be released April 13 with a PG-13 rating from the Motion Picture Association of America.
That's a different Tyler. The film is about Aspergers' sufferer Tyler Long who was bullied to death, but there is also a far more well known gay teen named Tyler Clementi was bullied to death. He's the young man whose college roommate video taped him on a date, for the purpose of shaming him.Tyler was not only gay...
You didn't watch the video. The video is criticizing the filmmakers so omitting any mention of Tyler Long's autism because it was what he was bullied for (more accurately, it caused the things that he was bullied for). He compares it never mentioning Tyler Clementi was gay if one were to make a documentary about him.Bullshit. The kid could have had a clubfoot and vestigial tail with Tourette's and he shouldn't have to put up with bullying.