I heartily disagree with this list, in parts. What's your list?20 Greatest SF Movies Of The Past Decade
The past decade has seen a lot of bloated special-effects brain-sucks... but it's also seen some of the best science-fiction films ever. Superhero films came of age, apocalypses ruled, and interstellar adventures came back. Here are the decade's 20 greatest.
This is, of course, just our opinion, and feel free to disagree in comments. We went back and forth about several of these films, and there were a few others that we almost included instead, so we're not claiming infallibility here. If you want to view this in non-gallery format, click here, and I promise it'll work.
Pitch Black. This is nearly the perfect movie — a gritty anti-hero with weird eyes that can see in the dark is on a prison ship, which crashes on an alien planet. The lurking monsters are ominous and alarming, but the film's real mystery is Riddick himself — the Furyan inspires loathing, hero-worship and a desperate longing for the anti-hero to become a hero by the movie's end. Like Riddick's own eyes, our view of him only really works when we see him through total darkness.
Avatar. I'm going to post my review of this film in a few days, closer to its actual release date. But this is definitely one of the decade's most significant science-fiction films, both in its startling new look and in its elaborate alien world. Sigourney Weaver is one of the few heroic scientists we've seen in movies lately, and she fearlessly spouts facts about the science of Pandora. Avatar is by no means a perfect movie — it's a frustrating mixture of brilliance and utter cheese — but it's clearly an important movie in science-fiction history.
Slither. This movie sort of slid (I'm tempted to say slithered) under the radar, but it's one of the great all-time alien possession movies, and a brilliant metaphor for being trapped in a bad marriage. An alien parasite lands in a small town and takes over a woman's awful husband — and then it starts infecting everyone else in town, so that they all speak with the husband's voice. Wherever the wife goes, she hears her husband talking to her. And then people start getting grotesquely pregnant with alien offspring — this sort of thing is really why body horror was invented.
Star Trek. A young hero reluctantly starts to claim his true destined greatness... only to find out that his whole life has been altered, and maybe wrecked, by time-traveling, tattooed maniacs from the future. It's a weird spin on a Star Trek movie, but considering how hard it was to imagine being thrilled by another Trek after Nemesis, this film is a marvel. Plot holes, frat-boy antics, \"red matter\" and all, it's still the film that recharged Star Trek and may have helped bring back space-opera as a genre. And Spock has never been so... fascinating.
Donnie Darko has garnered an enduring cult fan base, for good reason. Its blend of mysicism and weird physics has aged amazingly well, and we still get lost in its \"tangent universes.\" We keep hoping Richard Kelly will make another film that's both as mind-blowing and as well-constructed as this one.
Robot Stories. Another great movie that didn't get enough props when it came out. Greg Pak, who went on to write the Planet Hulk storyline for Marvel Comics, creates an anthology of three stories about robots that show how much robots are connected to our emotional lives — and what will happen when robots get emotions. In one story, two office robots fall in love, only to find that robot love is forbidden. In another story, a mother becomes determined to help her dying son amass the perfect collection of robot action figures — at any cost, even stealing. You'll see robots in a whole new light after watching this film.
Spider-Man 2. There were a number of superhero films that managed to bring the greatness of comics' storylines to life in the first half of the decade, including two X-Men movies and two Spider-Man movies. For my money, though, this is the best of the bunch, particularly because of Alfred Molina's Doc Octopus. Peter Parker's superpowered angst collides with Doc Octopus' cyborg identity crisis, and both hero and villain seem to be clinging to their identities by a thread. Even though we wish Peter Parker could keep his damn mask on, it's still thrilling and maybe the most perfect straight-up superhero movie of all.
Sleep Dealer. Alex Rivera's look at the dark side of telecommuting is one of the most memorable and intense films we've seen lately. In the future, everything depends on the dollar — you can't even access water reservoirs in Mexico or speak to your family in another town without feeding dollars into a slot. And the only way to get dollars is to get cyber nodes all over your body, allowing your nervous system to pilot machines in the United States. That way the U.S. can import Mexican labor without bringing in actual Mexicans. It's beautifully filmed and harrowing look at the ultimate form of alienated labor.
The Incredibles. The other great straight-up superhero was one of several Pixar films that we wanted to pay tribute to from the past decade. If you were as disappointed as we were by the two Fantastic Four films, then rejoice that this film does the FF right. A surprisingly light-hearted look at super-mutants in a world that learns to fear them, this movie does a better job of portraying what makes superhero comics so awesome than almost any live-action film. And we love the Omnidroid.
The Host. Sorry, Cloverfield — this was the monster-rampage movie we loved from the past few years. Unlike Clovey, the Host actually has a decent if snarky origin story, including weird chemicals dropped in the water by a callous American, causing one of the local creatures to get a little too big (and rambunctious) for comfort. More than almost any other monster movie, this film sucks us into caring about its main characters, a hapless family who operate a failing fast-food stand on the beach — we laugh at their antics and then get hopelessly, tragically, wound up in their fate when they tangle with the monster. Rob and Hud just don't quite measure up.
28 Days Later. Purists may hate this film's \"fast zombies,\" but they're not even really zombies — they're the victims of a \"rage\" virus that stupid animal-rights activists cause to be released onto an unsuspecting world. Of all the apocalyptic scenarios we've seen in the past decade, 28 Days provides the best dose of terror and the sheer horror of society unraveling. When Christopher Eccleston's vicious soldier says the words, \"I promised them women,\" your gut sinks. And the idea that the rage-virus outbreak will cure itself because the quasi-zombies will starve is genuinely clever. We were tempted to include Danny Boyle's other great SF film of the decade, Sunshine, but 28 Days is clearly better.
Paprika. A parade of nonsense images stomps through a man's dreams, forcing him to jump out a window... and it's just the beginning of the mayhem as the dream world collides with reality, in Satoshi Kon's weird exploration of dreams and their potential to tear our world apart. A machine that allows you to enter someone's dreams therapeutically gets stolen, and soon reality itself is being torn apart. Trippy, insane and mind-expanding, this is a film you need to watch more than once.
Primer. Speaking of films you need to watch more than once... few, if any, science-fiction movies talk down to their audiences less than this one. You don't even realize, for a good chunk of the movie, that the geeky characters are building a time machine. and it comes with very realistic and fascinating limitations, even as it allows the main characters to cross their own timelines over and over again, rewriting history in more and more psychotic ways. The walkman scene makes the whole thing worthwhile, just by itself.
Moon. It's interesting how many of the great science-fiction movies of the past decade are about loneliness, one way or the other — but none of them delve into isolation as hauntingly as Duncan Jones' debut feature. Sam Rockwell is amazing as the two versions of Sam Bell, who's tantalizingly close to finishing out his contract on a lunary mining station — until he finds out that things aren't ever what they seem. Add paranoia to the list of things this film does better than almost any other.
Iron Man. As we wrote when this film came out, it's actually more of a cyborg narrative than a superhero one. Jon Favreau and company wisely chose to focus on the heart of Tony Stark's origin — literally, the fusion reactor that keeps his heart from stopping, and turns him into a part-machine badass whose armor is just a shell that goes over his cybernetic body. Tony Stark's uneasy relationship with the military technology that he created parallels his unease with his new technological body — he's like the heroic flipside of Spider-Man 2's Doctor Octopus. And yes, any movie that talks about our dependence on, and unease with, technology automatically gets to leap over the pile of by-the-numbers superhero films.
The Dark Knight. See here for our argument as to why this film really is science fiction. Shorter version: Batman's fantastical technology is at the heart of the story. If Batman Begins showed how Bruce Wayne used technology to become Gotham's fearsome crime-fighter, then The Dark Knight is about how far he's willing to take that approach in the face of a mad bomber.
District 9. Most science-fiction movies, you come out of furiously debating the science or the finer points of the storyline... but this one, people walked out of speechless and shellshocked. Perhaps the ultimate \"humans oppress aliens\" movie, this film confronts us with a perfect allegory of our own inhumanity, through the story of a crashlanded group of aliens who are forced into shantytowns. Even before the main character, Wikus, starts turning into one of the aliens, our loyalties are getting more and more divided.
Wall-E. The other Pixar movie we couldn't help including on the list, this may have been the greatest blend of post-apocalyptic dystopia and cute robots. The love between Wall-E and Eve is both lovable and genuinely moving, and the trademark Pixar humor is in full effect with Wall-E's junkyard slapstick and spaceship antics. The funniest, and maybe the best, robot uprising we've ever seen.
Serenity. Just pretend for a second that this wasn't the continuation of a beloved TV series, and that Joss Whedon had created a whole new universe from scratch just for this film — it would still be one of the most audacious, most memorable, science-fiction films of all time. The story of the Alliance, which maintains a tenuous grip on a sprawling star system after a brutal civil war, and the lengths to which the Alliance will go to try and make people \"better,\" Serenity is one of the great action-adventure films as well as one of the neatest SF concepts ever. When you discover the secrets of Miranda and see how River Tam becomes both the messenger and the avenger of Miranda's people, it's hard not to jump up and down in your seat.
Eternal Sunshine Of The Spotless Mind. How far are you willing to go to get over a lost love? Are you willing to injure yourself — by erasing a huge chunk of your brief time on this planet from your own mind — just to get back at your former lover? This Charlie Kaufman/Michel Gondry joint does what all the best science fiction does: it creates a fictional technology that has the potential to change who we are as people, and then it uses it to tell a deeply personal story. The scenes where Jim Carrey and Kate Winslet are wandering through Carrey's childhood memories are both unsettling and poignant, as Carrey tries to hold on to the love he was in the process of throwing away — by letting her into more of his mind.
Send an email to Charlie Jane Anders, the author of this post, at charliejane@io9.com.
You know I love you. why do you insist on making me say it?crone said:shake things up! Chaos as it is, isn't, and there's plenty rum for those that play dumb!
Or it has to deal with science-fiction concepts - the effects of a longevity drug on humanity, for example, or the nature of artificial intelligences and what (if anything) will make them different from organic intelligences; the interaction between the human and the alien, etc.Yeah, they're playing with the Science Fiction bit a little bit. For it to be science fiction, and not fantasy, there has to be logical rules set in the technology. Otherwise it's just Fantasy.
Yes! Most people don't ever see the science fiction part of The Mist... It's such a great sci-fi pulp story wrapped in horror.Notable omissions imo: Knowing, The Mist, Sunshine(don't care if it's a double Boyle dip), The Prestige, The Fountain.
Avatar, Dark Knight, and Serenity have absolutely no business being on that list.
Ohh ffffffffffffft sorry I am dense sometimes.I think my point was missed. My fault for not being clear.
Because the list is trying to be about 20 greatest sci-fi of the decade, not cataloging various sci-fi movies.I'm actually surprised at some of the movies that didn't make the list (Transformers, The Island, X-men series, Signs, I, Robot, etc)
You read the last sentence of that paragraph, right?Because the list is [...] not cataloging various sci-fi movies.
You read the last sentence of that paragraph, right?Because the list is [...] not cataloging various sci-fi movies.
WHAT?!Notable omissions imo: Knowing, Children of Men, The Mist, Sunshine(don't care if it's a double Boyle dip), The Prestige, The Fountain.
Avatar, Dark Knight, and Serenity have absolutely no business being on that list.
WHAT?![/QUOTE]Notable omissions imo: Knowing, Children of Men, The Mist, Sunshine(don't care if it's a double Boyle dip), The Prestige, The Fountain.
Avatar, Dark Knight, and Serenity have absolutely no business being on that list.
Alright, if you insist, let me just look through this file again...sweet, found it:The hell it isn't!!!
Charlie, we're officially enemies again.
WHAT?![/QUOTE]Notable omissions imo: Knowing, Children of Men, The Mist, Sunshine(don't care if it's a double Boyle dip), The Prestige, The Fountain.
Avatar, Dark Knight, and Serenity have absolutely no business being on that list.
WHAT?![/QUOTE]Notable omissions imo: Knowing, Children of Men, The Mist, Sunshine(don't care if it's a double Boyle dip), The Prestige, The Fountain.
Avatar, Dark Knight, and Serenity have absolutely no business being on that list.
... and for that, you must be punished.I like lots of things. I just don't like some of the things that everyone loves here.
Alright, if you insist, let me just look through this file again...sweet, found it:The hell it isn't!!!
Charlie, we're officially enemies again.
Whoops, was it? I thought it squeaked by into 2000. Maybe I'm thinking of the video release (when I saw it for the first time).The Iron Giant was 1999.
And some are too broad. A couple of those are such a stretch that going by the list's logic, you could call The Simpsons Movie sci-fi because it was all about that big dome. And it has that one scientist character!I think some people's definition of "sci fi" is a wee bit strict.
Look, I'll stop after this, but I am all boggling so hard and nerd-raging seeing Serenity constantly mentioned among Moon and CoM. AUGH.Yeah, I'd like to see Moon, Children of Men, and Serenity.
Are you trolling meSerenity is vastly superior to Children of Men in every single way. There is absolutely nothing, nada, about Children of Men that is even one iota better than anything in Serenity. Not a thing, not acting, not music, not photography, nothing whatsoever. Children of Men is the most overrated movie since Babel. It's not even original, it feels like a watered down "artsy" copy of Y: The Last Man, but in a not awesome way.
And I'm a big supporter of Alfonso Cuarón... but.. no. Just no. It's a pretty forgettable movie.
i lol'dOnce again, what makes something technically science-fiction is that the universe has a logical, technical base. Just because it has "science" or "technology" or takes place in the future doesn't make it science-fiction. In science-fiction, the universe can be logically explained. In fantasy, it doesn't matter. Therefore, most super-heroes are fantasy, and not science fiction.
I say we should forget drawing a line between the two. The Discworld novels didn't cease to be fantasy because there has been more and more of a logical, technical base to the story elements. (Most notably the "clacks" system of telegraph towers). Nor do science fiction tales like David Brin's "Kiln People" or Arthur C. Clarke's "2001: A Space Odyssey" cease to be science fiction near the end of the story when they start touching on metaphysical questions that get away from the technical base of the story, and in many ways defy logical explanation.Once again, what makes something technically science-fiction is that the universe has a logical, technical base. Just because it has "science" or "technology" or takes place in the future doesn't make it science-fiction. In science-fiction, the universe can be logically explained. In fantasy, it doesn't matter. Therefore, most super-heroes are fantasy, and not science fiction.
Then how can you expect anyone cares about what you think, hmm? It's pretty goofy to expect credibility for your POV if you lend none for othersI don't give a shit what you assholes think .
I actually don't hate Serenity, I just think it's a really average movie.I've had some great recommendations from the forum and value the opinion of several posters. Except Charlie's. He hates Serenity.
Don't hate me Frosty, I liked CoM and Serenity, just for different reasons. It's like being bisexual, you know? Surely you understand that (ignore that last bit if you arent bi, I can't remember who is anymore)Whatever, you suck and I hope you are stranded in a desert island with nothing but a copy of children of men so you finally get how boring that movie is.
This was for charlie.
So, how's Charlie's cock taste this time of year?Haha, the pissy pants got kicked into high gear in here, huh.
One is a pulp space western and one is a high drama science fiction oscar gold flick. I think they are both great films but for widely different reasons and for me comparing them would be almos impossible t.Haha, the pissy pants got kicked into high gear in here, huh.
As for the distinctions: I'm talking from a writer's /aesthetic perspective. From a technical point, there is a distinction. But really, in the end, who fucking cares what bargain bin you find it in? Genres melt, mold, molt, conform, combine, and inspire. Such is art.
Also, oh my god Children of Men is a beautifully shot, masterfully acted and well-written. SO much better than Serenity.
Children of men was based off of a book that was published 10 years before Y: the last man.Watch Y Tu Mamá También, which is were Cuarón made the Children of Men style first. Where it was still original and not since copied by a trillion different indie films. The same far shots with every dialog, the same camera movements. He recycled his own work. And then took the script idea from any number of apocalyptic movies with a Y: The Last Man essence that feels dirty... unclean... stale.
Nevermind the completely predictable script, that I can even forgive if the ride is worth it. But it's not. It's stale and boring is what it is.
It's nice to have these little encapsulated reminders of why I can't stand you.I don't like Whedon's fakely peppy dialogue
its like Booger from nerds just put on coke bottle glasses and started defending his view on computer programming.Haha, the pissy pants got kicked into high gear in here, huh.
...
As for the distinctions: I'm talking from a writer's /aesthetic perspective. From a technical point, there is a distinction.
my reigning criteria for great films is how often I'll rewatch them AI was a great film, that I cant bear to watch, whereas I watch fakey preppy Serenity at least once a month. Escapist fiction is sooo lowbrow, right?One is a pulp space western and one is a high drama science fiction oscar gold flick. I think they are both great films but for widely different reasons and for me comparing them would be almos impossible t.
One is a pulp space western and one is a high drama science fiction oscar gold flick. I think they are both great films but for widely different reasons and for me comparing them would be almos impossible t.[/QUOTE]Haha, the pissy pants got kicked into high gear in here, huh.
As for the distinctions: I'm talking from a writer's /aesthetic perspective. From a technical point, there is a distinction. But really, in the end, who fucking cares what bargain bin you find it in? Genres melt, mold, molt, conform, combine, and inspire. Such is art.
Also, oh my god Children of Men is a beautifully shot, masterfully acted and well-written. SO much better than Serenity.
I DON'T KNOWWell, you can't compare apples and oranges. But you can say that the orange tasted much better. I've had better apples.Espy;358104 said:One is a pulp space western and one is a high drama science fiction oscar gold flick. I think they are both great films but for widely different reasons and for me comparing them would be almos impossible t.Haha, the pissy pants got kicked into high gear in here, huh.
As for the distinctions: I'm talking from a writer's /aesthetic perspective. From a technical point, there is a distinction. But really, in the end, who fucking cares what bargain bin you find it in? Genres melt, mold, molt, conform, combine, and inspire. Such is art.
Also, oh my god Children of Men is a beautifully shot, masterfully acted and well-written. SO much better than Serenity.
oh god what am I doing.
Oh, Serenity/Firefly is totally open to criticism. I know it has some really weak stuff in it, but I love the characters and the dialogue the designs, etc. Why? It speaks to the pulp lover in me, I grew up reading sci-fi and horror trash and it really brings all that to life for me.Also, there's definitely a time and a place for low brow fare. There's still a way to do "dumb" right...or wrong...or decent...or anything else. Just being "low brow" doesn't concede it's entertainment, but it shouldn't make it impossible to criticize either.
It's nice to have these little encapsulated reminders of why I can't stand you.I don't like Whedon's fakely peppy dialogue
What.in the last year and a half, I've probably watched Talledega Nights on average, once a week.
So, how's Charlie's cock taste this time of year?Haha, the pissy pants got kicked into high gear in here, huh.
What.[/QUOTE]in the last year and a half, I've probably watched Talledega Nights on average, once a week.
What.[/QUOTE]in the last year and a half, I've probably watched Talledega Nights on average, once a week.
It's nice to have these little encapsulated reminders of why I can't stand you.I don't like Whedon's fakely peppy dialogue
What.[/QUOTE]in the last year and a half, I've probably watched Talledega Nights on average, once a week.
I love your wife in ways that offend the Lord. Doesn't make it right, either.I love Talledaga Nights. :angry:
You two are in my think tank now. We're going to solve world problems, or mysteries.
If it had been released 2000-2010 but wasn't on there, I would have lost complete faith in that list. Dark City is an absolutely perfect 1950's pulp Sci-Fi novel plot faithfully translated directly to screen. Yes, even better than Sky Captain and the World of Tomorrow.I had to look up the year for Dark City.
*=movie I want to see, **=movie**Frequency
**Titan A.E.
**Artificial Intelligence: AI
**Final Fantasy: The Spirits Within
*Minority Report (have the VHS, haven't watched it yet)
**Animatrix (reminded me a lot of Heavy Metal but with more coherence)
Paycheck
Innocence: Ghost in the Shell
*Serenity (have the DVD, haven't watched it yet)
*The Hitchhiker's Guide to the Galaxy (have DVD on loan, haven't watched it yet)
War of The Worlds (starring Dakota Fanning and some dude) (Did you mean ?)
*A Scanner Darkly (mostly curious about this one)
*The Children of Men (have DVD on loan, haven't watched it yet)
*I am Legend (want to see for myself)
**Iron Man
*Star Trek (again, curiosity)
*District 9 (really want to see this one)
*Moon (want to at least rent it someday and watch it with Kati)
So, how's Charlie's cock taste this time of year?Haha, the pissy pants got kicked into high gear in here, huh.
nope. I don't think Coulton was in that film. Some other dude.
No, you're not alone. I've owned the DVD for about 3 years now, still haven't even broken the shrink wrap. Same goes for the box set of the Firefly series. We won some credit at a video store a while back, went to town. Haven't gotten through it all yet.Am I the only one who hasn't seen Serenity? =(