My favorite has to be without a doubt Hans Zimmer. He's by far the most gifted man in this field I've ever had the pleasure to hear in countless movies.
It's funny... when I watch a new movie... I'll be halfway in and... I'd just know it's his work. I'd go home, rush to computer and check on IMDB and smile.
I can't really say which soundtrack is my favorite... they are just so different and all equally enjoyable. I'm a big movie soundtrack buff, classical music with no or almost no lyrics.
One of his recent work we all know... and deserving of praise is this song.
(Dream is collapsing is equally as impressive but I want to limit to 1 video per post - heck it'll be the song that plays in my Halloween video invite this year)
My woman finds it weird when I drive listening to this instead of whatever flavor of the week plays on the radio but it.... center me....
Anyone out there feel the same? Do you feel like sharing your taste as well? Perhaps even post a video of a song somewhere so that I can perhaps enlarge my library?
#2
Hailey Knight
Hans Zimmer can swivel between really plain, generic-sounding scores (Gladiator) to really brilliant stuff (Inception, Lion King).
John Williams must always be mentioned, but I tend not to listen to him because his main themes are so iconic (Star Wars, Raiders of the Lost Ark), everyone knows them by heart. I think the only ones I listen to in full are Memoirs of a Geisha and Schindler's List.
James Newton Howard does some great fantastical stuff (King Kong 2005, Peter Pan 2003, good music for M. Night's garbage films).
I'll think of more soon.
#3
Charlie Don't Surf
Not to be pedantic, but soundtrack is usually existing songs in a movie (like Pulp Fiction) and score is the music created for a movie (Hans Zimmer).
Also: ban everyone that says John Williams
#4
ThatNickGuy
Why? His are pretty much the scores that everyone's familiar with.
James Horner's one of mine. The Rocketeer soundtrack is fantastic. And say what you will about Titanic and "that song" (ugh), the score is amazing. Ditto for Avatar. The man doesn't do greatly memorable stuff on the John Williams scale, but he's a damn solid scorist.
#5
Officer_Charon
Oh yeah, Hans Zimmer, all the way. Probably my favorite work of his was either in The Rock or Backdraft, with Blackhawk Down being a VERY close third.
Ultimately, it depends on what mood I'm in... Zimmer seems to find a way to make it work.
Basil Poledouris is another all-time favorite... not the least of which for his work on Robocop, but also for Starship Troopers.
#6
ThatNickGuy
Ooh, let's not forget about John flipping Carpenter.
#7
klew
Hans Zimmer's The Rock was his best. James Horner's Braveheart is excellent, as is Randy Edelman's Dragonheart and Dragon: The Bruce Lee Story, both commonly used in other trailers or award show moments.
#8
Hailey Knight
James Horner has done some great scores; it's unfortunate he keeps ripping off himself.
#9
checkeredhat
Hans Zimmer's best work, right here:
#10
PatrThom
I came here pretty much to say Zimmer and Howard, but it seems we're all already familiar with these guys (even when teamed up with Elton John). So instead I'll add a couple other names, such as Mark Mancina (Training Day, Disney's Tarzan) and Alan Menken (Beauty and the Beast, Hercules).
Let's have a little underrated Menken, shall we?
--Patrick
#11
checkeredhat
No one's said Ennio Morricone yet.
#12
PatrThom
Thank you for rectifying my omission, sir. I even got the import version, should've remembered it.
Also, one of my personal favorites from J. Wizzle:
Cujo is an example of a good movie made great by its atmospheric score, thanks to C. Bernstein:
#20
ncts_dodge_man
While not a movie soundtrack per se, Brian Tyler should be commended for the Children of Dune soundtrack - esp. Inama Mushif - it fit very well with the scenes being played (just the music, screen doesn't change).
#21
Philosopher B.
Also, 80s scores with hella synth totally rule:
#22
Azurephoenix
Basil Poledouris' Conan the Barbarian is one of my favorite movie scores. I like a lot of his work.
Hans Zimmer is great as well as James Horner.
I also have to add the Terminator 2 score by Brad Fiedel... I think it's a really good movie synth score (and very distinct).
Now please you cannot bring up 80s movies with electronic scores and leave this one out
And as my girlfriend always says: Zimmer geht immer! (hey, we are germans)
Meaning: There's a Zimmer soundtrack for every mood and everything else...
#25
Piotyr
No love for Danny Elfman? Although a bunch of his are really iconic songs, too, like the Batman theme. He's also apparently attached at the hip to Tim Burton.
No love for Danny Elfman? Although a bunch of his are really iconic songs, too, like the Batman theme. He's also apparently attached at the hip to Tim Burton.
No love for Danny Elfman? Although a bunch of his are really iconic songs, too, like the Batman theme. He's also apparently attached at the hip to Tim Burton.
Nor can you mention that one without also mentioning this one:
Glad someone else mentioned Elfman and Fidel.
--Patrick
#33
Adammon
Clint Mansell on Requiem for a Dream. Its a bit overplayed now but still so recognizable from its rewrite into the trailer for LOTR: The Two Towers.
Also, Immediate Music which isn't really an individual but a group that put together scores for trailers has done a lot of work that you'd recognize pretty quickly. They wrote parts of the score for the second Spiderman's first trailer: Lacrimosa.
uh hold on there cowboy. i love me some menken (and i mean LOVE me some menken) but the dude has 8 oscars. i don't think there is anyone else living with more oscars than him. i really don't think underrated is the best word to describe him.
I agree. I was referring to the song. Everyone remembers "Zero to Hero," but in my opinion, Meg's song is the best from that flick, and the best I'd heard in a movie in a long time.
I often present Ladyhawke as one of the quintessential "Fantasy" movies, just like I present Dark City as a quintessential "50's Sci-Fi" movie.
And just because this has to do with with film/tv show and music in some way and because today would have been the 75th birthday of another great genius who got honored with a google doodle today...
I don't know if it fits the motto of the thread, but it has shaped part of my life.
#44
ThatNickGuy
You know, I've been racking my brain for awhile on this. We all grew up on these amazing film scores, some that we can't get out of our heads (and why would we? They're awesome).
But I've been trying to think: have there been many music compositions in the last couple of years that were new and as memorable as the ones we've been posting? I can't honestly think of many.
I suppose there's this:
And this:
But those were TV show credit themes, not full on scores we'd hear during the show itself.
#45
Espy
I'm sorry man, the buffy them is, imo, horrible. Love that show but that them was awful. Angel had a cool song if I remember correctly.
#46
ThatNickGuy
Oh, there are much better themes, I agree. And yeah, the Angel theme was badass.
But I've been trying to think: have there been many music compositions in the last couple of years that were new and as memorable as the ones we've been posting? I can't honestly think of many.
Wasn't it Joss Whedon's band just making things up on the fly?
#50
ThatNickGuy
Yeah, I'd think LotR might be the last memorable score we've had in awhile. Although, I have to admit that some of Steve Jablowski's work on the the Transformers movies was pretty damn good. Solid, but nothing really memorable.