(OOC: I don't know why but I'm already jonesing to play again.)
Meticulously I lay my gear in the long, yellow-green grass near the flattest part of the gentle slope. Slightly above me is the edge of the forest, near to where we had camped for the night. I can still hear unfamiliar birds flitting from branch to branch, calling to each other about a threatening movement below or to try and attract a late-spring pairing.
Downhill I can see the military encampment we hiked from yesterday. The people appear so small that I can only make out movement and nothing else. Some of them appear to be in formation this morning. Perhaps, I think, they are working through their own daily rituals. I fold easily into a lotus seat and close my eyes, making the far-off monks even more distant, then they leave my mind altogether. The wind and the morning chill and the light dew soaking through my robes are all I sense. Soon, these are gone too.
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When I reopen my eyes, the sun sits much higher, coyly behind a smattering of thin clouds. My robes have dried now and the grass no longer ripples in the breeze. Eventually, the mechanical sounds of the world return to me, notably the murmur of my companions in the camp and the birds chittering at their presence. I stand and look pensively at my belongings. It has been some time since I have trained with my staff, I think, so I lift it lightly from the grass and step down a few paces of my belongings.
I begin simply, chopping downward with the staff at an imaginary collarbone. During training, brother Wembley often said that advanced missionaries can see and feel the imaginary targets as if they were there. I scissor my stance backwards, retreating slightly from my opponent, then lunging forward with a a sharp jab to the soft tissue above the abdomen. I swivel and push a second opponent away at his breastbone, bruising but not breaking bone or skin. My invisible opponents counterattack, and I counter in return. Sweat beads my smooth pate as we spar, my attacks and blocks increasing in complexity. One opponent finally falls with a blow to the temple and I spin out of the way from the other, my staff whirling behind my back. I block his turn with a foot to his shoulder blade and bring the twirling blunt end of the staff down on the crown of his head. The skull crunches slightly, or so it seems to me in the moment, and my opponent is once again non-existant. My foot, out-stretched, and my staff parallel to it. I keep them suspended for several seconds as the battle recedes and the world returns again. Then I return to a restful pose, leaning against my staff and breathing hard.
"Technically proficient," says a woman to my right, slightly downslope. I wield my staff automatically in surprise and my cheeks flush warm as I mentally punish myself for being surprised.
The woman stands and continues, "Your technique is unfamiliar. Is it local to Merde?"
"Rocus Bonilova," I say with final realization and I lower my staff. She clearly sees me as no threat, though. Nor should she. I am trained only to defend myself from wild animals and highwaymen. "Merde? No, not exactly," I say. My companions might wish to disguise where we are from but I have no wish to lie. I leave the true answer hanging in the still air.
She walks forward with the gait of a soldier. I see now that she is fully armored, but relaxed. Her weapons are sheathed and she smiles lightly, which somehow makes her more menacing. "Your technique has a hard rhythm to it, like a war drum," she says. I nod with only faint understanding. Then she surprises me. "May I make a suggestion?"
I relax at her friendly offer and nod, almost deep enough to be a bow. It is easy to fall back into the role of the student. "Of course," I say.
"The rhythm is predictable, at least in due time. It would be easy to disrupt in real combat."
Rocus gestured to the space opposite her, inviting me to spar. I hesitate, then drop my staff. We both relax into an easy stance and then, without any warning, she snaps her leg forward. My hands drop into a block that barely catches her foot. I counter by pushing her stiff, muscular leg away, then chasing her with a high kick to her head. She easily brushes it away.
"The first strike can be an important one," she says, stepping in close with an elbow jab. I block with both hands, sliding clockwise to her right. "It establishes the tone of the entire fight. Strike first, when you can, and your enemy will be the one trying to keep up."
I double palm-strike Rocus on her shoulder, pushing her off-balance, and then whirl with some light blows to her abdomen. She bounces easily away from my strikes, smiling. "Good," she says, "but here is where I can begin to detect the pattern in your step."
She feints forward with another kick, which I block prematurely. Her stance shifts and she lands a solid blow to my temple. I wheel away, slightly dizzy but not incapacitated. It felt like the slap from a stern tutor. She glides to my left, striking several times with her palm. Each one stings a little. I try to back away and she pummels me again with several more instructional slaps. When I regain my composure, she has dropped her stance and I realize the lesson is over.
"Accelerate your strikes once in a while. It removes some of the predictability you give away," Rocus says. "You have followed the advice of your master well. Explore your training, though. Combat requires some spontaneity if you will maintain the upper hand."
I smile grimly, feeling both admiration and humility at the closure of my lesson. "Thank you, Rocus Bonilova. I shall meditate on your lesson."
"Certainly. Are your companions camped nearby?" she said, looking toward the trees.
I nod. "Just beyond that young oak," I say, pointing.
"Good training to you, monk," she says, and then leaves me to my less than tranquil mind. The wind has picked up, I realize, and my robes and long grass dance in the warm sun.
I fold again into the lotus seat and close my eyes again. The birds fade away and the wind ceases to be an annoyance. In my mind, I summon two new opponents and begin a new round of training.