Finished it a few days ago, let it sink in before commenting.
First off, since I'm horrible at giving positive reviews, let me say that I thought it was a GREAT debut novel, and a VERY GOOD book overall. I'm just too negative a person to give a lot of positive feedback and nitpicking is much easier. Any and all things I mention are details or personal preferences.
A) your protagonist sucks.
B) your antagonist sucks.
C) The story's not creative at all.
D) The characters are flat and uniteresting.
E) Your writing style sucks.
See, that would be my review if it actually sucked, which it doesn't. All of the above are false.
Onward to actual things I thought weren't perfect.
A) Not at all your fault, but my copy was less-than-professionaly glued together. There's a bit of a gloop on one end, so the spine isn't straight. Dunno how that happened.
B) While there are relatively few spelling errors in the book, I spotted at least a dozen places where sentences had clearly been turned around and some artifacts remained. I don't have the book besides me so I can't give an exact example but things such as "Nowadays, people are always in a rush these days". Seem like last-minute decisions to change the word order in a sentence to make it flow slightly better, but then having forgotten to confirm the rest of the sentence was still OK.
C) There's a disparity in speaking/writing style between Dill-the-narrator and Dill-the-detective. I'm not sure whether this is intentional (he's smart and actually intellectual but hides behind a veneer of noir detectivism) or it's the style you want to adopt for Dill and your own writing style sometimes peaking through. You know, one moment he's spouting '50s colloquialisms, the next he's throwing around seven-syllable-words. Either way, it's not always entirely consistent, and it sort-of broke my immersion a few times.
D) You are, of course, aware that it's annoying when certain turns-of-phrase or words are repeated too often. It can often be seen as repetitive. While sometimes it's necessary to repeat something, often you can do without. Often, authors use it as a stopgap solution. (yes, I'm doing it on purpose and I chose a bad word to do it with
). Luckily, you don't fall in that trap, nor do you go the opposite way and have
every word be replaced with some weird semi-synonym as some authors are wont to do.
However, there are a few turns-of-phrase that you re-use maybe three or four times in the whole book, but are such eye-catchers that it's still noticeable. I'm not talking about a few that are clearly conscious decisions (at least, I
hope using "copacetic" seventy-six times was a conscious choice
), but more...comparisons in descriptions that I'd guess you were proud of and therefore wanted to re-use, given the chance. May be less noticeable if you don't read the whole book in two days, of course.
E) There are a number of things about Dill that are special about him because he's an armadillo. Overall, I thought you managed to find a pretty good balance between giving him a couple of specials that made it feel like there was a point to him being a 'dillo, while on the other hand not making him so gimmicky as to it being annoying or a cop-out. I did think a few of his eccentricities were introduced a bit bluntly. I don't know, not really "too fast" or "inappropriately" or whatever, just...I noticed "oh, he's saying this to drive home the point that this is one of his special strong sides because of the dillo-ness". Mind you, I have that same feeling with most, if not all, superhero stories and such. It may just be that i'm a b it oversensitive to that sort of thing.
F) If you want a huge big following, you really need sexier animals. How about a cat-girl and a wolf-man or such in the sequel? (please don't introduce a catgirl unless you either kill her off or give her all of the wrong attributes of humans and cats to be sexy
). In other words, I'm out of actual criticisms.
G) Story wise, like a lot of other people here, I only really got interested when the story started going. The story's good, but it starts off relatively slowly. I think the book might've been better with some tighter pacing in the earlier chapters.
All in all, as a debut, I'd give it a 9.2/10. As a book in general, 8.4/10. Or, to make another comparison, it's not as good as the best Discworld novel, it's better than some of them, and it's definitely better than the first few of them. So, make another 40 or so books in this world, make about 20 spin-off works, try to
avoid the whole Alzheimer thing, and I think you'll be right up there with Pratchett in 20 years or so.