Their doing stuff with the Blue Spirit? Nice. Things are looking a bit up now.
I saw a dragon, which is probablyWas that...
Was that a dragon? Or was it just a really obscured Koh?
The Last Airbender in 3Deeeee, also in 2Deeeeee, rated PGeeeeee."AlsoIn2D!"
Silly advertisements.
Yeah the actor playing Sokka seems like annoying crap.The short clips I'm seeing of the kid playing Sokka make me really worry about this movie.
Yeah the actor playing Sokka seems like annoying crap.[/QUOTE]The short clips I'm seeing of the kid playing Sokka make me really worry about this movie.
Yeah the actor playing Sokka seems like annoying crap.[/QUOTE]The short clips I'm seeing of the kid playing Sokka make me really worry about this movie.
The Last Airbender
BY ROGER EBERT / June 30, 2010
cast & credits
Aang Noah Ringer
Prince Zuko Dev Patel
Katara Nicola Peltz
Sokka Jackson Rathbone
Uncle Iroh Shaun Toub
Commander Zhao Aasif Mandvi
Fire Lord Ozai Cliff Curtis
Princess Yue Seychelle Gabriel
Paramount presents a film directed by M. Night Shyamalan. Screenplay by Running time: 103 minutes. MPAA rating: PG (for fantasy action violence).
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"The Last Airbender" is an agonizing experience in every category I can think of and others still waiting to be invented. The laws of chance suggest that something should have gone right. Not here. It puts a nail in the coffin of low-rent 3D, but it will need a lot more coffins than that.
Let's start with the 3D, which was added as an afterthought to a 2D movie. Not only is it unexploited and unnecessary, but it's a disaster even if you like 3D. M. Night Shyamalan's retrofit produces the drabbest, darkest, dingiest movie of any sort I've seen in years. You know something is wrong when the screen is filled with flames that have the vibrancy of faded Polaroids. It's a known fact that 3D causes a measurable decrease in perceived brightness, but "Airbender" looks like it was filmed with a dirty sheet over the lens.
Now for the movie itself. The first fatal decision was to make a live-action film out of material that was born to be anime. The animation of the Nickelodeon TV series drew on the bright colors and "clear line" style of such masters as Miyazaki, and was a pleasure to observe. It's in the very nature of animation to make absurd visual sights more plausible.
Since "Airbender" involves the human manipulation of the forces of air, earth, water and fire, there is hardly an event that can be rendered plausibly in live action. That said, its special effects are atrocious. The first time the waterbender Katara summons a globe of water, which then splashes (offscreen) on her brother Sokka, he doesn't even get wet. Firebenders' flames don't seem to really burn, and so on.
The story takes place in the future, after Man has devastated the planet and survives in the form of beings with magical powers allowing them to influence earth, water and fire. These warring factions are held in uneasy harmony by the Avatar, but the Avatar has disappeared, and Earth lives in a state of constant turmoil caused by the warlike Firebenders.
Our teenage heroes Katara and Sokka discover a child frozen in the ice. This is Aang (Noah Ringer), and they come to suspect he may be the Avatar, or Last Airbender. Perhaps he can bring harmony and quell the violent Firebenders. This plot is incomprehensible, apart from the helpful orientation that we like Katara, Sokka and Aang and are therefore against their enemies.
The dialogue is couched in unspeakable quasi-medieval formalities; the characters are so portentous they seem to have been trained for grade school historical pageants. Their dialogue is functional and action-driven. There is little conviction that any of this might be real even in their minds. All of the benders in the movie appear only in terms of their attributes and functions, and contain no personality.
Potentially interesting details are botched. Consider the great iron ships of the Firebenders. These show potential as Steampunk, but are never caressed for their intricacies. Consider the detail Miyazaki lavished on Howl's Moving Castle. Trying sampling a Nickelodeon clip from the original show to glimpse the look that might have been.
After the miscalculation of making the movie as live action, there remained the challenge of casting it. Shyamalan has failed. His first inexplicable mistake was to change the races of the leading characters; on television Aang was clearly Asian, and so were Katara and Sokka, with perhaps Mongolian and Inuit genes. Here they're all whites. This casting makes no sense because (1) It's a distraction for fans of the hugely popular TV series, and (2) all three actors are pretty bad. I don't say they're untalented, I say they've been poorly served by Shyamalan and the script. They are bland, stiff, awkward and unconvincing. Little Aang reminds me of Wallace Shawn as a child. This is not a bad thing (he should only grow into Shawn's shoes), but doesn't the role require little Andre, not little Wally?
As the villain, Shyamalan has cast Cliff Curtis as Fire Lord Ozai and Dev Patel (the hero of "Slumdog Millionaire") as his son Prince Zuko. This is all wrong. In material at this melodramatic level, you need teeth-gnashers, not leading men. Indeed, all of the acting seems inexplicably muted. I've been an admirer of many of Shyamalan's films, but action and liveliness are not his strong points. I fear he takes the theology of the Bending universe seriously.
As "The Last Airbender" bores and alienates its audiences, consider the opportunities missed here. (1) This material should have become an A-list animated film. (2) It was a blunder jumping aboard the 3D bandwagon with phony 3D retro-fitted to a 2D film. (3) If it had to be live action, better special effects artists should have been found. It's not as if films like "2012" and "Knowing" didn't contain "real life" illusions as spectacular as anything called for in "The Last Airbender."
I close with the hope that the title proves prophetic.
I was about to dismiss him as the grumpy old man that he is, but after reading it he's probably right. He even praises the animated series at several points.Ebert hated it.
Let’s just be honest: M. Night Shyamalan is an idiot
Probably because the entire art style was based on Eastern influences like Miyazaki and Osamu Tezuka? Honestly, it's probably a better indicator to judge animation by it's style than it's country of origin, as it's less confusing. Hell, Japan has cartoon series like Stitch! (Lilo & Stitch, set in Okinawa instead of Hawaii) and Transformers Animated that were made in Japan, but based on Western styles. Calling THEM Cartoons makes more sense than call them Anime, even if they are made in Japan. Even Europe has shows that are based on eastern stylings (namely Code Lyoko and Ōban Star-Racers) that have been widely distributed and localized. Would you call them Anime, despite being concieved and developed in Europe? Or would you call them Cartoons, despite being based on Japanese animation traditions?and why do people insist on calling this anime?
It is as anime as Scooby-Do.