@ Norris:
But somehow the trials and tribulations of prima ballerinas really doesn't sound like an exciting film to me.
And that is why you fail. And also why you will love the movie. The characters are SO much more than ballerinas, yet at the same time do kind of fall into your description. The complexity of the characters is what makes it interesting (and is also what made Star wars so bad.) Lets look at some other incredibly good movies that have a similarly potentially boring set of characters:
American Beauty, Little Children, Revolutionary Road, Shortcuts - Incredibly boring americans
A Beautiful Mind - A mathmetician
Good Will Hunting - another mathmetician. Nothing more exciting than math theorems
Dead Poets Society - Prep school morons
The Good Earth - A FARMER! WOWZA!
The Great Gatsby - Pretentious rich pricks
The Breakfast Club - Teenagers
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I could keep going. Its not the superficial excitment of the characters that make a story good. Its the depth of the character and the quality of the story they exist in.
Did star wars teach you nothing?
2) Three. Straight. Films. Of wooden ass acting. "Nerd shit" though it may be, it doesn't change the fact that those flicks were definitely her star making roles and poorly acted. And it is really hard for me to blame Lucas' writing or directing, seeing as the original Star Wars (more nerd shit) is on the AFI Top 100. He wrote and directed that, the dialogue is no less goofy, and yet somehow the actors pulled it off.
School yourself on some cinema history please. Do you know how many people kept Lucas from screwing up the first movies? Do you know how many of them were there in the second batch? The second movies were bad, not because of the acting, but because of the directing and ultimately the cowardice of the producers.
3) Mila Kunis was great in a romantic comedy that was very screwball and had a fair bit of raunchy humor, yes. I, however, didn't like her performance in Book of Eli. Her most well known well remains a sitcom character. She is great at humor. I've not yet seen her manage drama convincingly.
Fair enough. Her movie career is pretty young. This movie will define her career.
5) Man, fuck this "nerd shit" angle of yours. Heath Ledger won an Oscar for "nerd shit". Christopher Nolan got huge Hollywood clout on "Nerd Shit". Eight movies on the AFI Top 100 are "Nerd Shit". Fuck this "nerd shit isn't good because it isn't artsy" shit.
I don't think anyone is saying that nerd movies are inherently bad. What they are saying is that your viewpoint comes across as someone who defines film based on that genre. Calling out Natalie Portman's career and ability based on a nerd movie that was clearly a failure due to another person doesn't do you any favors and makes you look like a myopic critic with the epicurian depth of a goat.
Your movie snob reaction, rather than fucking explaining how the movie is worth seeing like I asked ("how can this be good?" is a question, you see), makes me not want to see this movie. I'll be at True Grit, thank you very much. Jeff Bridges, the Coen Brothers, can't go wrong.
Fair cop to a degree. The problem is that this movie is incredibly difficult to describe without ruining it. But I'll try.
The story itself is about ballerinas, but only in a superficial sense. Its more about how a person can be flawed in their perfection, and perfect in their flaws. Its a story told with both subtlety and force, and this is seen both in the acting as well as in the script itself. There are no characters that are entirely predictable, they all have many layers.
At the same time, the film has a level of intensity that is hard to stomach. The sights and sounds hammer down into you at a very deep level that is very hard to identify. It reminds me of Japanese Horror films in a way.
You'll notice that I'm not talking about the plot, and that's because the plot itself isn't complicated and arguably isn't that important to the quality of the film. In a way its a bit of a Taoist attempt. The story is pure in its simplicity which allows more effort to be put into the depth of the characters and the manipulation of the audience through sense.
This entire description sounds incredibly douchey. Just see the damn movie.