Fun fact: can you name one female screenwriter that is not a former stripper?
Was Tina Fey a stripper?
Speaking of Fey, my wife and I have been watching 30 Rock lately. Let me start by saying we both love it more and more as we watch. Nevertheless, the writing for the show does have a different feel to it (at least to me) that is a bit more feminine. I don't say it as a criticism, of course, just that in writing for the main character they need to have an understanding of women in society and the workplace. 30 Rock does this successfully, I think, which is why there is a slightly different vibe to it than you see with How I Met Your Mother (for which there has been at least one female writer, the wife of Sheldon artist, Dave Kellett) or Big Bang Theory. I think this lends some credence to Ash's point that a man writing convincing dialogue for women roles is hard, just like a suburban kid writing lines for a character from the ghetto would be hard. There is no point of reference except broad strokes they've heard or seen themselves. Thus, I would hope that men are not trying to write about things they do not know, since that will simply lead to boring and cliched writing. A good writer would obviously do more research to try and write appropriately.
All that said, I don't think there is a true Injustice(tm) here. Yes, more men are writers than women. That's clearly changing, but I don't think it is really the root of the problem. The problem is the people that greenlight the project. And those are most assuredly a much higher concentration of men than women. Obviously the people spending the money to have the movie made are going to be influenced by their own interests. You can do all the market research in the world to see what your audience wants but if you're going to spend 100 million dollars on a project, you aren't going to do it unless you like the script yourself. So since the money tends to be filtered through men, the ideas will tend to be filtered through men as well. Throw in all the men in leading film making positions, such as directing and editing and you've got a built in masculine filter on the industry.
Yet I wouldn't say it is intentional and it may be in part do to differences in biology. It isn't that women CAN'T write, produce, direct, and edit films (among the many other jobs they've been able to do) it is that women's biology inherently biases the entire gender towards different choices. Whereas men strive to impress women so they can briefly capture a chance to pass their genes along, women are fundamentally charged with maintaining that offspring, at the very least for the 9 months of the pregnancy and in most cases for many years beyond that. It isn't that men don't play very important roles along the way, they do, but that the biological cost to women is fundamentally different than for men. And that is freeing for a man in many ways. To me this implies that women will always have a place in movies (or politics or business or...) if they choose it. But their absence alone does not imply an institutional oppression of women. You would have to show that artists (and producers) of equivalent
quality are being treated differently. Good women writers should be submitting just as many scripts as men and are rejected. Good women directors must be passed over disproportionately more than men, etc. And that is a much more difficult case to make than noticing an absence of good female parts.