Alright, let's prepare the waterworks.
Furious 7 (2015)
or alternate title: How Letty Got Her Groove Back
We open this movie with an introduction to Jason Statham's character as he talks to Shaw, who we discover ISN'T FUCKING DEAD! Instead he's in a coma after the heroes yeeted him out of a plane in the last movie. Statham reveals in his dialogue that he is Shaw's older brother, Deckard Shaw, and now it's time for big brother to do what he always does, finish what his little bro started.
As the camera pans back and New Shaw walks out, we get to see the hospital he is in, and the state it is in after his visit, in what is honestly one of the best opening sequence character introductions ever. Just watch this for yourself, you can fast forward through the talky bit at the very beginning if you want.
We're in trouble now. Because while Shaw was a terrorist mastermind capable of holding the world ransom, his biggest weakness was he didn't care about family. We now see his big brother is even more of a badass, and -does- care about family. We're doomed.
Dom takes Letty, who is still suffering from a serious brain injury, back to where it all started, the still problematically named racing event, Race Wars! I'm fucking stoked to be back here, but it's at this point I notice a stark change in directing style. This is the first movie since the third to not be directed by Justin Lin. James Wan directs it instead, and while he does a fine job, I notice some things. Like the Michael Bay style zoom in tracking booty shots on several of the scantily clad women at this event.
Look, I'm not against sexy ladies on the screen. At a car racing event like this yeah, there'd be lots of women showing lots of skin, both professionally in the form of 'booth babes' and just from the attendees because it's set in the desert. This was true in the Justin Lin movies as well. But the camera never ogled them. I don't mean to bring my 'woke' politics into this, but this is like the definition of male gaze in media, and it feels very gross. It's like the camera is trying to make me a part of the director's desire to objectify these women, and it's very distracting. If people want to leer at the babes, go for it, I'm not gonna stop you, but don't make the camera do it for them.
Ok, soapbox over.
Iggy Azalea is here, for some reason, and starts to say oh this is the Letty we've heard so much of. In an accent that is... isn't she australian? Why does she sound... is it too late to get the soapbox back?
Letty, surrounded by people that all know her while she still can't remember anything about herself, kinda freaks out here, punches someone, and then retreats back into her car, to sit there and then eventually drive away. I actually really like this sequence. I'm happy that they are giving weight to Letty's amnesia and it's not just a throwaway plot device, and I think her actions here and Michelle Rodriguez's acting really sells the trauma. Her getting back in the car is literally retreating back into her shell, where she feels safe. I dunno, I found it resonated with me. Dom and Letty have a heart to heart, over her grave, and Letty says she has to refind herself.
Just to touch on her grave for a moment... what did they bury? I realize you don't need a body to have a funeral and a burial, but like... it was thought that she died in a car crash, did no one question why there was no body? Do bodies just go missing all the time in this world? We're going to come back to this, later...
Cut to Brian, he's driving a minivan with his kid and meeting his wife and kinda hates his life because he's been told that having 2.5 kids and living in suburbia is what you're supposed to do and... skip. I've never really cared about Brian's family, sorry, they're boring. It's his own fault for having them.
Cut to the Rock. Look, I'm not going to call him Hobbs anymore, he's just the rock. In the first movie he tried to play a character, that character was just Tommy Lee Jones, now he's just playing himself.
The Rock is working at the department of secret shit or whatever agency he represents, wearing an undershirt three sizes too small for him, when he has to briefly leave his office to give a file to Elisa, the cop from Brazil that became his assistant and briefly dated Dom and I honestly don't even know if she's played by the same woman every movie but they keep pointing her out. When he comes back, Shaw is sitting at his computer, like a boss, collecting information because the Rock doesn't know to password lock his decktop. Shaw gets what he needs, and then he and the Rock have a fight, where Shaw proves how powerful he is by eating a rock bottom and getting back up. You have to be Undertaker levels of plot powerful to be able to shrug off a rock bottom, so clearly he's got game. It's time for the Rock to pull a Mr Worf and put over Shaw by getting absolutely bodied by him to show off how dangerous Shaw is. The Rock gets blown out of a sixth story window and lands on a car, breaking his arm and leg so that he can be out for the rest of the movie. I'm assuming he was busy shooting another movie, and judging from when this was filmed he would have been shooting... Hercules. Huh, he should have stayed in this one.
Cut to Dom, who is sipping a Corona outside his house while Brian and his sister come to visit. Mia asks what the package from Tokyo on his front step is, and Dom says Han must have sent him something. Now we're caught up to the post credits stinger from the last movie. Shaw has just t-boned and flipped Han's car, and as he has Dom on the phone, he blows up the car and blows up the package he sent on Dom's front step, knowing that Dom would leave it there and never open it. The villain has made his first move, the Family has been attacked, and Han is dead. For reals this time. We've been hinting at it for three goddamn movies now, but we're finally caught up and he's dead. Capital D dead. ... ........
Dom heads to Japan to collect Han's remains, and that means we get to revisit Tokyo Drift's banger soundtrack. Best fucking soundtrack of the series, it's this track, do yourself a favor and don't skip it.
We get the ending scene from Tokyo Drift, as we're finally caught up in the timeline, and then they actually film a new scene with Drift protagonist Sean's actor playing his role again, and... oh my god.
This man is canonically 17 years old in this scene. Being the new Drift King really wears on you.
Also, I want to take this little moment to have an aside, even though these are already too long. I've always heard that Tokyo Drift is the worst movie. Even today, looking up watch orders for this ordeal, people always say oh you can skip Tokyo Drift, it's a side thing and it's not very good.
Tokyo Drift is the best one and I will die on this hill. As someone who I feel can now call themselves well versed in The Fast and Furious life, I could spend the next twenty pages talking about everything Tokyo Drift gets right, how good its storytelling and foreshadowing is, and even critique and praise every song on the soundtrack. Feel lucky I don't just post a playlist now. I might edit one in.
Where was I? Oh, right. Sean gives Dom everything they could retrieve from Han's wreck, which was a picture of Gisele and the cross necklace of Dom's that bounces around to every member of his family. Sean says there's nothing else to take back, which means we are again going to have a funeral without a body.
... this motherfucker isn't dead. You can't keep doing this to me movie, you fucking can't. I'm onto you.
Dom goes back to the states and they hold Han's funeral. Roman says he can't take another funeral so soon, despite the subject of the last funeral literally standing right next to him alive and well.
It's at this point that I'm going to yada yada yada the rest of the movie. They get recruited by a special spook called Mr Nobody, played by Kurt Russell, who says he's a ghost just like Shaw, and that he will get them Shaw if they help him with a side quest, stealing a hacking system called God's Eye that can take over any camera or microphone on a network and use it to track people across the globe. So they're put on a sidequest that has them running afoul of a warlord who stole this software to begin with, and Shaw meeting up with them at every turn to make their lives miserable. They parachute some cars out of a plane and even jump a car from skyscraper to skyscraper in Dubai.
It's at this point that Brian stops talking much, and his face becomes awfully cgi looking. It's clear that this is where they ran out of shots after Paul Walker's death, and the few times he speaks from this point on uses dialogue from previous movies chopped together to form a new sentence. It sounds really bad and it's super jarring every time it happens.
The warlord is defeated, Shaw is imprisoned, Thanos I assume is going to make a mid-credits appearance at this point, and the heroes are happy. It's at this point as they relax on a beach that they realize that despite Brian saying he hates the family man life, that it's where he belongs, and that it's time for him to retire. Dom drives away without saying goodbye, CGI-Face Brian drives up and robot-talks that he doesn't get to leave without saying goodbye, and Charlie Puth starts to sing.
So, a little bit before this movie came out, maybe even a year before, maybe even two, it's hard to say, but a very good friend of mine died a tragic death. When this movie came out, this song was everywhere, and it was sitting in my car at a stoplight, driving home from work, with this coming on the radio, that I finally broke down and cried for the first time over my friend's death. This was when I was still severely suffering from depression, so dealing with my feelings wasn't something I was really good at, and as much as I want to hate this song for being so cheesy and feeling a little exploitative over someone's death, I can't. It's cemented into my memory as a major point in my life, and watching this scene as Dom and Brian drive away down separate roads, it got me. It fucking got me.
That's the end of Furious 7. I would argue that it's not as good as 6, but having a major actor die during production they did what they could with this film and it works out a lot better than it probably should. I have some problems with James Wan's directing as I've already pointed out, I also think the hand to hand fight scenes were way too jumpy and shakey-cammed with lots of cuts, and there's this one specific camera move where a character rolls backwards off an object, like being flipped over a chair or table, and the camera rolls with them, that was visually interesting the first time they did it, and then they did it six more times to the point of being silly. There's also a scene where Dom calls Mia, and while two characters are just having a conversation on the phone, the camera is spinning around them both as it cuts between one and the other, and it made me fucking dizzy. I hope Justin Lin is back for the next one.
The Fate of the Furious is up next, lord help me.