Like I said, that was the time Lovecraft was living in. It's easy to look back and know it was wrong, but back then I bet no one really bat an eye lash.LittleSin does raise a point, I will admit. Edgar Allen Poe, for example, was a raging Southerner against the abolition of slave labour or giving rights to blacks at all. Yet, I adore his work.
Maybe it's different once they're dead?
He's Mormon. Nuff said.As for Card, well, it's hard to say the same thing. I don't know his reasons for his homophobia. Are they based in religious brain washing? Personal disgust? A general unease?
Ahaha. No big. Blue is always ranting.He's Mormon. Nuff said.
Also, I'm sorry. I think this is the third time I've gotten Blue ranting about/defending Card.
Yeah, ok, a re-read of my posts the next day shows I'm being quite antagonistic, so I'll delete them. Carry on!Oh come on. Let's not make this another Gif and Caption party. Discuss!
THIS![DOUBLEPOST=1360727225][/DOUBLEPOST]Now, this is commercial art and if DC feels he holds views that are not in line with their company (like misogyny and sexism, A-OK!) then they have every right to not hire him. That I am ok with. Thats business. If you are a terrible person you might not get that job.
http://chezapocalypse.com/episodes/nostalgia-chick-enders-game/Nostalgia Chick did a fantastic break down on Orson Scott Card and separating the creator from the work.
I'm too lazy to look it up but, meh.
By that logic, if I steal chicken sandwiches from Chick-Fil-A I'm supporting homophobia.Eh, honestly, supporting his work to me would also include reading it.
It's a capitalist term for how the free market at large tends to punish. If you own a restaurant, for example, and get outed as a virulent homophobe, people may decide not to eat at your restaurant any more - they will "vote with their feet," walking into a different establishment to spend their money there instead of with you, putting you in economic hardship, if not out of business.First of all, what the hell does "voting with your feet" even mean?
It absolutely is. A dead person can't advocate for their beliefs.LittleSin does raise a point, I will admit. Edgar Allen Poe, for example, was a raging Southerner against the abolition of slave labour or giving rights to blacks at all. Yet, I adore his work.
Maybe it's different once they're dead?
This is interesting... What is more assholish, treating very badly a small group of people that are closely to you and you can see suffering, or a large group of faceless people that are impersonal? I would say that the former makes a worse persone. Furthermore, one can have a lot more power over people who are close to them than over a large group of people (i.e. you can beat up your wife and it's hard to stop you, when it becomes political you can be opposed and lose).Something I realized tonight that makes me feel different about Card than I do about, say, Woody Allen or Polanski: the latter two examples only wronged one or two people. I'm not defending what they did, but it was still wasn't actively trying to hold down or take away the rights from an entire group of people across the entire country. I guess it just feels like a much different extreme.
There's a great deal of debate about how much the intent of the author is to be considered when deconstructing a piece. Personally, I'm of the mind that once an author releases a piece into "the wild", their interpretation no longer means anything. Sure, it's insightful to learn what the author's original intent is, but the entire point of any art piece is to provoke a reaction and to open itself up to interpretation by its audience. The best example of this debate is the Star Wars franchise. How much of the franchise is George Lucas' and how much is the fan's? If George Lucas were to come out and say that the entire series were some sort of rasict treatsie (and some critics would argue that it is), would that make other's interpretations less valid? Or is the creator's vision the only valid interpretation?If it hasn't been posted yet, http://en.wikipedia.org/wiki/Authorial_intent
More in response to some of the posts. Your issue is less literary (like the 'fallacy' of authorial intent), and more about supporting an artist with views you find contentious.
I placed fallacy in quotes because I think it's best not to call it one. It's one of those things that shouldn't drive your interpretation, but I don't believe it's fallacious to consider it.There's a great deal of debate about how much the intent of the author is to be considered when deconstructing a piece. Personally, I'm of the mind that once an author releases a piece into "the wild", their interpretation no longer means anything. Sure, it's insightful to learn what the author's original intent is, but the entire point of any art piece is to provoke a reaction and to open itself up to interpretation by its audience.
Northern Exposure is in my top ten best TV shows of all time.I placed fallacy in quotes because I think it's best not to call it one. It's one of those things that shouldn't drive your interpretation, but I don't believe it's fallacious to consider it.
A little off-topic, but there's actually an extremely lovely episode of Northern Exposure that deals with taking deconstruction too far. I must've watched it like 5 times because it is beautiful. Chris is defending his Master's thesis, which is a deconstruction of Casey at the Bat. His committee is made up of a young deconstructionist and a surly older professor who finds Chris's deconstruction terrible on the basis that he feels it rips the intended heart out of the poem.Still think that was the best show ever to air on television.It ends with Chris agreeing that there is no beauty lost in interpreting the poem as a literal ode to baseball.