I like that song, but probably because on the soundtrack it's not Mia Farrow singing. (Uf, indeed.)
They were arguably the exact right people to do the voices.
But the singing? Uf.
--Patrick
I'm stunned that I'm going to have to defend Superman: The Movie from you of all people, especially since I only first saw that movie as an adult, so don't have any childhood notions about it.Even though I love the Christopher Reeve movies, I have a lot of problems with them:
-The first one only really gets interesting once he hits Metropolis. Everything before that just drags on way too long.
-The turning back time by spinning around the earth.
-Gene Hackman, who is basically just Gene Hackman playing Gene Hackman (see also: Jack Nicholas playing Jack Nicholson in Batman)
Honestly, my favourite stuff is all in the middle, with Superman flying around town and stopping crimes, and of course the helicopter rescue.
It's not just a theory; it's what's happening in the movie, and the only reason you hear mention of Einstein's theory of relativity near the beginning of the movie--that's exactly what Superman puts into effect, going faster than the speed of light so that he's going backward in time. The Earth spinning backward is just giving us a visual of what he's experiencing.I'm sure you guys are familiar with the theory that Superman isn't actually reversing the spin of the Earth in that scene. He's flying so fast he's going back in time, which results in the Earth's spin reversing.
I'm not wrong, it's just my opinion. I find the pre-Metropolis stuff dry, too drawn out, and slow paced. That's how I feel about it. You can view it a different way all you like.
I'll grant you that his anguish over Lois was effective, but it's just the going back in time stuff that I find silly. It's like a reset button. I just don't like it, that's all. Almost as bad as the Amnesia Kiss.
I don't know. Maybe the movie has just soured for me over the years. To be fair, it's been a very long time (at least a decade) since the last time I actually sat down and watched any of the Reeve movies. Own them on BluRay and never actually watched them. Pretty sad, I guess.
...but I do have one?
To be fair, it's been a very long time (at least a decade) since the last time I actually sat down and watched any of the Reeve movies. Own them on BluRay and never actually watched them. Pretty sad, I guess.
Wellll, guess I don't get a break tonight. Time to school somebody else on their wrongness about a DC universe movie, particularly a good one--This will be unpopular, but the whole boat thing in Dark Knight.
It was so unexciting and underwhelming for such a good movie. Of course neither boat is gonna blow up the other boat. Of course that tough looking criminal is gonna save the day(ish). Ugh. That whole ending should have been so much better.
I didn't care much for the movie at all. The book is one of my absolute favorites, filled with jaw-dropping prose and I just felt the movie ripped the heart out of it. Where is the magic in the Robin Hood scene? Where are men crying at Robin Hood's passing? Where's the terror and majesty of the Bull. Where is Haggard's black depression? And where Lir's gut-wrenching monologue? And Mommy Fortuna--holy crap my skin crawls every single time I read her parts. And some characters get pushed aside, and I'm yelling at the screen like, "DUDE, there are at least 9 characters who present their opposing views on mortality and the passage of time, where is that mystery?" I mean elements are there but they deserve to be done so much better.
They were arguably the exact right people to do the voices.
But the singing? Uf.
--Patrick
To be fair, that picture was of a shark tearing into a little boat like the one her kid was in.The way I'm interpreting it is - the worst part of a favorite movie can still be pretty good? So like, every movie is gonna have a worst part unless it's the same thing for 90 minutes.
Jaws - it's a little cheesy when the mom looks at her kids on the boat dock, then looks at a picture of a shark, then looks up again and is like "HEY KIDS COME BACK TO THE HOUSE GET OFF THE BOAT"
No one is complaining about the acting or stuff like that, but about it being one of those deus ex machina endings that showcases why there are no stakes in a Superman adventure...Turning back time: This entire segment is excellent from the moment he lands by the burial mound of the car. Reeves sells that moment of anguish without a word, and when he does speak, it's guttural and raw. To then fly up into the clouds and here the conflicting messages of his two fathers, and having to decide who he is, is a great character moment. It's the kind of thing that makes a Superman story, because we know he really can't be defeated, but to show that despite his great powers and ideals, humanity has rubbed off on him--this makes him a relatable character. The music sells the spinning sequence by itself, but I'll break it down for the soulless mo-fos in this forum--there's an emotional height to his actions, how far he's willing to go to undo this. Anyone who's lost someone they love wishes it hadn't happened and some would turn back time for another moment. Well, Superman can actually do it. In the same fantasy of stopping wrongdoing that led to Superman's creation, this is a moment where Superman can live out another aspect of wish fulfillment, of doing the impossible. And then the beautiful finish to this sequence, where he lands beside the car again, but it isn't buried. Lois is still fucking around with getting it started, gets out, goes on and on about how crappy this day has been for her, without a clue to how bad it could have been, and all he can do is stare at her and be relieved she's still alive.
No, no, no, the non-criminals press it (or Joker does), and it turns out it's just confetti... because fuck you, that's how the joker rolls, he's not just about killing people...I thought the way that boat scene was going to play out would be that one boat (or both) would press the button, but it turns out it blows up their own boat.
It gives us one the greatest lines in cinema though.I really like Godfather II better than Godfather I, but I can't think anything in Godfather II that I don't like, but in Godfather I I really don't care for Sonny's death scene. It's a bit melodramatic. It was supposed to be shocking, but it went on too long and James Caan just tried too hard.
Which is?Since Street Fighter is the perfect movie, I'm going to toss Raiders of the Lost Ark into the discussion. Amazing movie despite it's big flaw that consumes the entire film.
You don't watch The Big Bang Theory, do you... (not that i blame you, it's such a cavalcade of stereotypes)Which is?
Spoilering since it is the entire movie...and will change how you see it from now on.Which is?
The biggest problem I had with that episode is that none of the guys had known about it already. It's not a new observation by any stretch of the imaginationYou don't watch The Big Bang Theory, do you... (not that i blame you, it's such a cavalcade of stereotypes)
Yeah, that's true, but that whole story line gets me though. It's so rough especially when it comes to the kids and Freddo. I think that Breaking Bad tried to capture some of this, but couldn't quite get it (though Breaking Bad is great).Seriously I wanna slap Diane Keaton here too. Not the content, the delivery. Michael's slow burn is the only good part of this junior high school drama audition.
Yeah, I hate to be that 'focus group participant', but for a movie with such passion, energy and enthusiasm, the end just flatlined.Moulin Rouge was great ... until the end. It was just so abrupt. It was like, "movie movie mov--OKAY GO HOME".
No - I don't. And, yes, it is. I can't stand the canned laugh either.[DOUBLEPOST=1408565258,1408565154][/DOUBLEPOST]You don't watch The Big Bang Theory, do you... (not that i blame you, it's such a cavalcade of stereotypes)
Oh well. It's still a great movie to me, but that's really funny to think about that.Spoilering since it is the entire movie...and will change how you see it from now on.
Everything that takes place in the movie would happen with or without Indiana Jones. You could edit him out and things would still play out largely the same as they did. The only real difference would be the time frame. Nazis still would have obtained the Ark, still would have taken it to the Island, still would have opened it and died.
The biggest problem I had with that episode is that none of the guys had known about it already. It's not a new observation by any stretch of the imagination
Well, that's why Keaton's moaning and scenery-chewing is just the worst part of an overall favorite.Yeah, that's true, but that whole story line gets me though. It's so rough especially when it comes to the kids and Freddo.
Actually, this has been discussed and debunked by fanboys & -girls long before the BBT episode. Which definitely was funny, BUT:Oh well. It's still a great movie to me, but that's really funny to think about that.
Marian didn't cause the place to burn down. She would have fought, sure, but there's no possible way she would have won against those guys without Indy. They'd have killed her and taken the medallion.What about the whole "finding the ark" bit. Marion would've still fought back, and they would've still probably used the burn to build the wrong staff.
I know! It's like he is two different actors. Godfather III is bad on so many levels, but one of the most jarring is that Pacino's change.Although I think Pacino took some tips from her for his future shouty-screamy performances in the '80s-'90s and beyond.
Probably should be a separate thread, but speaking of Spider-Man I think the Sandman's creation scene in Raimi's third is one of the most beautiful sequences I've ever seen.How about the best part of terrible movies?
That is honestly my second biggest problem with III. (The first is Coppola actually bragging that they designed the movie beat for beat from the story structure of the first one. As if shamelessly ripping yourself off were a virtue.) What I love about Michael in I and II is that he's so quiet, when he does actually yell it's frightening and makes an impact, like at Kay at the very end of I. In III he screams so much there's zero impact no matter what he says. I completely agree it's two different Pacinos and two different Michaels. I really don't think the elder Michael would behave at all the way he was written and/or how Pacino played him in III.I know! It's like he is two different actors. Godfather III is bad on so many levels, but one of the most jarring is that Pacino's change.
I felt the same way about The Believers. Way to flush all the setup down the toilet, Mark Frost.Moulin Rouge was great ... until the end. It was just so abrupt. It was like, "movie movie mov--OKAY GO HOME".
Both movies have a ridiculous segment that remove me from the movie.The "Thunder Battle" in The Hobbit: An Unexpected Journey. A completely unnecessary sequence that dragged, added nothing to the story, and actually crossed some lines as far as the world of Middle-Earth was concerned. It was just... "What the fuck?" It honestly made me enjoy the entire movie less.
Yes.Margo Kiddo's wierd internal monologue while Superman's taking her flying. Just... what...
YES.The musical scenes at the end of most Dreamworks movies. So...so awkward.
But at least that's in the goddamn books! The execution may be ridiculous, but at least there's a basis for it in the story. Chunks of the mountain coming to life as psychopathic stone giants killing each other? WTF?!Both movies have a ridiculous segment that remove me from the movie.
1. What you wrote.
2. Next movie? The barrels in the river. I looked over to my bud and he was like, shrug.
You can actually say that for almost every Peter Jackson movie.The "Thunder Battle" in The Hobbit: An Unexpected Journey. A completely unnecessary sequence that dragged, added nothing to the story, and actually crossed some lines as far as the world of Middle-Earth was concerned. It was just... "What the fuck?" It honestly made me enjoy the entire movie less.
The giants did battle during a thunderstorm in the book. They were just not right there, causing immediate danger to the party, but they did seek cover from them. Jackson just interpreted this as them being parts of the mountain, but they were tossing boulders at each other.But at least that's in the goddamn books! The execution may be ridiculous, but at least there's a basis for it in the story. Chunks of the mountain coming to life as psychopathic stone giants killing each other? WTF?!
Making them part of the mountain isn't that big a stretch from stone giants."When he peeped out in the lightning-flashes, he saw that across the valley the stone-giants were out and were hurling rocks at one another for a game, and catching them, and tossing them down into the darkness where they smashed among the trees far below, or splintered into little bits with a bang."
I think there's a bit of over-interpreting making that into mountains coming alive and smashing into each other.
Pretty much the biggest part of the first Hobbit film I really disliked.
Well, how do you know what stone giant games look like? They could have been playing.Making them part of the mountain isn't that big a stretch from stone giants.
Going from "playing a game" to "killing each other" is, though.
Agreed, although I can understand someone saying that it padded out the movie and added nothing to the story. Of course, that was a lot of The Hobbit.Well, how do you know what stone giant games look like? They could have been playing.
None of these changes bother me in the least, because they're portrayed as what Bilbo wrote in his story for Frodo. So changes like that just seem like Bilbo being a good storyteller and adding in embellishments.
To be fair, Dare to Be Stupid was playing. Being sentient beings with a soul, they had no choice but to dance.Okay, I'm an old school, Gen 1 Transformers junkie, and I love the 80's movie. It opens with a tremendous battle that wipes out a ton of major Autobot and Decepticons characters, contains the childhood-shattering death of Optimus Prime, and features a villain who freaking eats entire planets. We even see Unicron melting down survivors of his attacks in his innards. This movie was dark.
And then come the Junkions, complete with a dance sequence. Eric Idle doing television-esque quotes to cobble some English together? That's fine. Another instance of that ridiculous universal greeting? I can live with that. But after the Autobots suffer tremendous casualties, barely survive another encounter with Galvatron, and lose both of Cybertron's moons to Unicron, they dance. Ugh...
Looks nobody's arguing that. Weird Al's music is basically mandatory fun, but it just felt so out of place.To be fair, Dare to Be Stupid was playing. Being sentient beings with a soul, they had no choice but to dance.
I always assumed it was in the same vein as the Universal Greeting. The party was used as another way to endear themselves to the Junkions, mainly because they all needed the repairs and ships to face Unicron for the finale. Sure, it's a bit out of place, but then so is Wheelie, a rhyming, childlike Autobot with a space-slingshot.Okay, I'm an old school, Gen 1 Transformers junkie, and I love the 80's movie. It opens with a tremendous battle that wipes out a ton of major Autobot and Decepticons characters, contains the childhood-shattering death of Optimus Prime, and features a villain who freaking eats entire planets. We even see Unicron melting down survivors of his attacks in his innards. This movie was dark.
And then come the Junkions, complete with a dance sequence. Eric Idle doing television-esque quotes to cobble some English together? That's fine. Another instance of that ridiculous universal greeting? I can live with that. But after the Autobots suffer tremendous casualties, barely survive another encounter with Galvatron, and lose both of Cybertron's moons to Unicron, they dance. Ugh...
Whoa, that picture just brought back a nostalgia hit like you wouldn't believe. I think I had that book when I was a kid. What's it called?I always assumed it was in the same vein as the Universal Greeting. The party was used as another way to endear themselves to the Junkions, mainly because they all needed the repairs and ships to face Unicron for the finale. Sure, it's a bit out of place, but then so is Wheelie, a rhyming, childlike Autobot with a space-slingshot.
Although in the UK comic continuity, he's a super-survivalist that helps Wreckgar get off the Quintesson's planet and slaughters Sharkticons like they're nothing.
Think I found it. It's from a book called The Story of Wheelie, the Wild Boy of Quintesson.The only name I can find is The Lost Treasure of Cybertron, from '86. Story/coloring book.
You shut your heathen mouth. The Rod is God.All Chris Tucker scenes in The Fifth Element (Ruby Rhod = Jar Jar Binks).
You shut your heathen mouth. The Rod is God.
Now THAT sounds like my prom night!
Take my breath a-waaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaayThe stupid never-ending love song that starts half way through Top Gun and runs through most of the rest of the movie (not "Danger Zone" and I don't think it's "You've Lost That Lovin' Feelin").
Aaand... stuck in my head now.Take my breath a-waaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaay
0.Yeah I've lost track of how many times I've seen Top Gun.
My husband's not even in aviation and I get to hear all that. It's better for both of us if we don't bother with that movie.Yeah I've lost track of how many times I've seen Top Gun. Filmed in and around San Diego, as well as on Miramar where my dad worked for a long time. Plus, the F-14 squadron filmed (The Sundowners) was one of the first squadrons he worked with after joining the Navy.
This all means, of course, that we can't watch the movie without "That's not the right HUD! Those buttons don't fire those missiles! He wasn't outfitted with the correct payloads compared to what he's firing now! That's not how those panels work!" etc.
Sounds like he's lost that lovin feeling.My husband's not even in aviation and I get to hear all that. It's better for both of us if we don't bother with that movie.
Star Wars: A New Hope
How it should have ended touched on this as well, but it made no sense for a planet-destroying battle station to have to go around a planet to reach a rebel base.
Common consensus is that it takes around 24 terran hours to charge the beam on the original Death Star. The second Death Star was modified to have multiple power reactors, and for the superlaser to be able to fire with lower power (ie, no need to use full power when firing on rebel cruisers), which is why the second Death Star could fire repeatedly in the Battle of Endor.While this is true, it could be explained in that we don't know how often the Death Star can fire that world ending beam. It might have a long recharge.
Of course, being that every tiny minutia in Star Wars has been covered, I'm sure someone out there can tell me -exactly- how often it can fire, and explain to me why I'm wrong.
There's an official explanation in the Databank because it's been asked so many times. Yavin is a gas giant, and it would've absorbed and dispersed the heat from the superlaser.Star Wars: A New Hope
How it should have ended touched on this as well, but it made no sense for a planet-destroying battle station to have to go around a planet to reach a rebel base.
Of course, then the question becomes "How is there a habitable moon next to a gas giant?" because I'm pretty sure gas giants usually only form within a certain range beyond the habitable zone of a star. I suppose they could have terraformed it with some alien technology but that sounds like complete bullshit.There's an official explanation in the Databank because it's been asked so many times. Yavin is a gas giant, and it would've absorbed and dispersed the heat from the superlaser.
But laser swords and the force are quite plausible.but that sounds like complete bullshit.
Oh! My time to shine! Gas giant moons can be habitable! Whether it's habitable by humanoids like us is another question. Liquid water exists in huge quantities on Jupiter's moon Europa. The tidal forces from Jupiter keep the moon's core very active which (like on Earth) provides heat in deep ocean vents.Of course, then the question becomes "How is there a habitable moon next to a gas giant?" because I'm pretty sure gas giants usually only form within a certain range beyond the habitable zone of a star. I suppose they could have terraformed it with some alien technology but that sounds like complete bullshit.
Every time someone says "midichlorians" it just makes me think someone's bloodstream must be full of these guys:Mitichlorians, duh.
Somewhere out there Han Solo is smiling.The problem with mitichloreans is that that take something that was originally a mystical concept and turned it into a scientific one.
I'm sure you guys are familiar with the theory that Superman isn't actually reversing the spin of the Earth in that scene. He's flying so fast he's going back in time, which results in the Earth's spin reversing.
Superman is still stopping the missiles. He's gone back in time, but his past self is still there stopping the missiles.
* Superman starts flying in the opposite direction that the earth is moving
*The earth slows down, stops and starts going the other way
*Once he gets back to the point where he wants to be, he stops flying around it.
*Note that the earth is still going in the wrong direction
*Superman starts flying in the opposite direction to get the earth rotating back in the original direction it was going.
Superman made the earth spin in the other direction and THAT was how he went back in time.
AND ANOTHER THING
Superman goes back in time to save Lois. WHAT ABOUT THE MISSLES? Aren't those in flight again? Aren't those cities with millions of people in danger again?
Christopher Reeve is great. Superman is great. This aspect of the superman movie ruins it for me. FOR ME. YOU ARE STILL ALLOWED TO LIKE SOMETHING I DON'T LIKE. Yes, I do have to clarify this point.
Yeah that was my problem. It killed the mystery, not my nostalgia. It was like it flattened the Jedi as a character type. That and the explanation felt weak.The problem with mitichloreans is that that take something that was originally a mystical concept and turned it into a scientific one.
I'm actually not the biggest fan of the first Superman movie. Superman 2 is where it's at.[DOUBLEPOST=1409803203,1409803154][/DOUBLEPOST]
* Superman starts flying in the opposite direction that the earth is moving
*The earth slows down, stops and starts going the other way
*Once he gets back to the point where he wants to be, he stops flying around it.
*Note that the earth is still going in the wrong direction
*Superman starts flying in the opposite direction to get the earth rotating back in the original direction it was going.
Superman made the earth spin in the other direction and THAT was how he went back in time.
AND ANOTHER THING
Superman goes back in time to save Lois. WHAT ABOUT THE MISSLES? Aren't those in flight again? Aren't those cities with millions of people in danger again?
Christopher Reeve is great. Superman is great. This aspect of the superman movie ruins it for me. FOR ME. YOU ARE STILL ALLOWED TO LIKE SOMETHING I DON'T LIKE. Yes, I do have to clarify this point.
But then there are two Supermen forever, unless he just kills himself when he catches up to himself.Superman is still stopping the missiles. He's gone back in time, but his past self is still there stopping the missiles.
Yeah, I guess that doesn't make sense. I had thought it that past Superman would then have to go back, but that doesn't make any sense since he wouldn't need to.I'm actually not the biggest fan of the first Superman movie. Superman 2 is where it's at.[DOUBLEPOST=1409803203,1409803154][/DOUBLEPOST]
But then there are two Supermen forever, unless he just kills himself when he catches up to himself.
It didn't add anything explanatory whatsoever, though, so there is still plenty of room for mystery.Yeah that was my problem. It killed the mystery, not my nostalgia. It was like it flattened the Jedi as a character type. That and the explanation felt weak.
I can't believe I'm about to defend this ridiculous bit of bad movie writing, but there wouldn't be two supermen forever. Past Superman would eventually catch up and then go back in time to enact the plan.But then there are two Supermen forever, unless he just kills himself when he catches up to himself.
But there aren't two supermen. Superman is immune from the time travel effects. In fact, Superman is not going back in time at all. Superman is sending the rest of the earth back in time instead.I can't believe I'm about to defend this ridiculous bit of bad movie writing, but there wouldn't be two supermen forever. Past Superman would eventually catch up and then go back in time to enact the plan.
But Lois would be rescued, so he wouldn't go back in time to save her.I can't believe I'm about to defend this ridiculous bit of bad movie writing, but there wouldn't be two supermen forever. Past Superman would eventually catch up and then go back in time to enact the plan.
The problem with mitichloreans is that that take something that was originally a mystical concept and turned it into a scientific one.
It didn't give a mechanism for how the mitichlorians do what they do, but it does say that the force is caused by microscopic organisms in your body. That's pretty explanatory to me. It carries with it a ton of implication. Mainly that it's a biological thing and not mystical.It didn't add anything explanatory whatsoever, though, so there is still plenty of room for mystery.
Except the dialogue used clearly stated that midichlorians cause the Force...But it isn't explained as being biological, just that there is a biological connection.
No, not caused at all. More like a conduit.Except the dialogue used clearly stated that midichlorians cause the Force...
If they had just said that the more force you can wield the more midichlorians you have and left the connection more vague it would have been way less of a slap in the face for most people imo.
They aren't bacteria. They live *inside* cells. More like mitochondria.Blow-dart full of antibiotics. Bam, perfect Jedi neutralizer.
Soo...it's like an alternate version of Parasite Eve?They aren't bacteria. They live *inside* cells. More like mitochondria.
That is exactly what came to mind when I heard that line.Soo...it's like an alternate version of Parasite Eve?
--Patrick