I was more impressed with it than when I first watched it. Hard for me to say between GMK or this--there's so much great about GMK. On the other hand, I have hang-ups with it as a Godzilla fan for what it could've been had Toho not meddled with Kaneko's intentions, and while GMK is impressive throughout and does more with Godzilla as a character than any other Millennium movie, Tokyo SOS gets the feelings going. It's less "let's show what could be done with Godzilla" and more "let's do Godzilla's thing really, really well." Plus I love the hell out of Mothra and she definitely comes across better in Tokyo SOS than GMK.Objectively Tokyo SOS is probably the best of the Millennium series. I need to watch those two again, it's been a few years and I remember really liking the fight scenes.
Gojira, Mothra, Godzilla X Mechagodzilla, Godzilla Tokyo SOS.Its a little confusing being a sequel to the original Mothra...but no to the original Godzilla flicks which it crossed over with. The multiverse is a fickle fickle place. I wish we could get another solo Mothra movie again, I remember the one where Mothra Leo went AQUA MOTHRA pretty fondly. Need to see the third one some time.
No Godzilla has been seen since 1954 until 1999. Meanwhile, Mothra was around in 1960 and can be assumed to be the same adult form in Tokyo SOS. Which makes more sense, having a 43 year lifespan than the Showa series, where apparently Mothra is ready for a new young body to house her divinity in just a few years.
You kind of have to be ready to juggle these things or assume some of them are soft references. I mean really, it doesn't matter if Gaira was killed by lava like in War of the Gargantuas or by masers as said in GxM, or that there's no reference to Frankenstein. The movies can't get their own continuity right--in GxM, it's stated that they use a cyborg because the DNA can process smoother and faster than binary 0's and 1's. Then in Tokyo SOS, as the screen is screwing up in Kiryu, it shows a bunch of 0's and 1's.