Ok, I can dig your point of view.
I did like the neck snapping scene, however. You can see that he's pained to do it. He realizes at that point that he's truly alone.
The trucker scene - you're spot on. It contrasts sharply with the scene in his youth were he was tempted to beat the shit out the bully.
I guess I'd like to see a Superman story that strays from the "all American conservative values" Clark Kent, and explores morality from more of an existential, nihilistic view. Maybe that's just not Superman, and I'm asking for something that's more Batman's realm? I'll have to stick to this:.
Yeah, see Superman is meant to be optimistic and hopeful. Nihilism is more Batman's thing, though Superman's existence and impact on the world has
certainly been explored (Superman vs. The Elite, All Star Superman).
And the thing is, as much as I hated that Superman killed in Man of Steel, I know he's killed before. If it's done
right, under the right circumstances, then I can maybe grudgingly accept it. He gave his life to kill Doomsday, for example (though in the previous issue, a telepath said Doomsday was an empty-headed monster bred only for destruction, which partly excuses this). Here's four things that bugged me about the neck snapping:
1) He could've flown Zod away, at the very least. Or blocked the heat vision with his hand. Or done a million other things to stop him.
2) Why did
those people matter when the entire final fight sequence was just a hollow, nothing fight scene with a bunch of punching? I think it was Mark Waid or Kurt Busiek that said it would've worked better if you saw Superman constantly struggling to stop Zod from killing people throughout the
whole fight, and
then get to that scene with the family. It would've had so much more impact.
3) As I mentioned with the truck stop and the gas station, they didn't show Clark being careful or considerate before when that should've been his upbringing in the first place. Yeah, he saved the bus load of kids, but everything else didn't show that care for humanity.
4) He may have shown remorse immediately after, but what followed it? A cutesy scene where the military girl says he's hot, and then showing up at the Daily Planet in glasses. It went completely against the unremorseful scene because, as the writers mentioned in interview, the change to killing Zod came after the script was complete. Originally, Zod would go into the Phantom Zone with the rest of them. So it was a sloppy addition tacked on without thought of the after effect.
And I guess the reason I'm personally not looking forward to Superman vs Batman is because they're continuing down that bleak, dour, colour-washed aesthetic. In fact, it looks
worse. Plus, they're rushing to do everything all at once rather than build their universe organically like the Marvel Universe did. They're trying to do in two or three movies what Marvel accomplished in over half a dozen (and continuing to grow as they work towards Infinity War).