I have to agree on #1: Hellfire is hella creepy. I still get goosebumps from those hooded giants, especially since their
Ominous Latin Chanting is also a
Bilingual Bonus: they are actually singing about confession, something that Frollo oughta be doing instead of blaming Esmeralda.
Mea culpa... mea culpa... mea maxima culpa!
That's probably the best part about the song: Frollo is obsessed with Esmeralda, but even HE knows it's wrong. That's why parts of the song sound like he's legitimately afraid of what he's become and why it almost seems like he's asking for forgiveness from the hood figures.[/QUOTE]
Forgiveness? Surely you jest. More like he's saying, oh... "It's not my fault, I'm not to blame, it's the gypsy girl, the witch who sent this flame. It's not my fault if in God's plan He made the devil so much stronger than a man."
Sooo... It's not your fault if you want to stick your rod into the hot gypsy. It's HER fault for being so hot. And God's because He fucked up with the Devil. Nice going there, Pinky...
[/QUOTE]
I wasn't implying that lyrics of that part of the song, but rather the image of duality in it. If you imagine the robed figures as part of his subconscious and not simply imagery for the song, it gives the impression that no matter how hard he tries to justify his desires, part of him knows that what he wants is wrong and that he wants to be forgiven for his earthly desires. The fact that he's willing to ignore this part of himself in the end is what pushes him into the realm of true, unredeemable villainy.