C
Chazwozel
Wow, this is pretty fucking cool and it features the PussyWagon from Kill Bill
I wonder how many differents drugs you need to be on to think in something like thatShe has some creative mother fuckers on her team, not to mention herself. That was pretty cool.
I wonder how many differents drugs you need to be on to think in something like that [/QUOTE]She has some creative mother fuckers on her team, not to mention herself. That was pretty cool.
That was interesting, but for all the wrong reasons. It read as if the author was one of the stuck up elitist morons that I used to take Philosophy classes with, except that the author is female, and also a feminist who (on an unrelated note) has no idea what she's talking about. Complaining about the race issue? Really? Now you're stretching pretty damn far.There's an interesting \"review\", from a feminist (among other things) perspective.
http://www.feministe.us/blog/archiv...ng-to-be-as-important-as-the-telephone-video/
The thing here (and this isn't something I can really prove, I just read it differently) is that the author alternates between making serious points and just being (or trying to be) funny, and sometimes is doing both at the same time, and she doesn't make any special effort to tell you which is which. I've read enough of her other work that I *think* have a decent grasp on her sense of humor (and for the most part I do think she's pretty funny). When she's complaining about how we're talking about hamburgers instead of telephones, I'm pretty positive that she's not offering a Serious Critique of a Major Failing of the Video, she's just making fun of the video for being pretty ridiculous in general (which it is).Here's my problem: any of her legitimate points get bogged down in really stupid insults. Yes, the first line in the song is stupid...it's about a dude calling her at the club. And yes, there is a silly line about hamburgers. She can analyze things from a feminist perspective, but can't read it from an authorial perspective...she's missing out a lot of the craft that's going on, just the feminist aesthetic. Which, when dealing with a piece of art, I think it's important to try and figure out the author angle, too.
Well, as I noted, I DID find her funny. And there's the point where she says:She's not funny there
I think she's aware that she looks at Lady Gaga in a way that is different from the way most people look at Lady Gaga and, to some extent, how Lady Gaga sees herself, and she's aware of how silly the whole thing can get.A friend was talking to me, and she was like, “I can’t figure out why that video makes me so happy.” And I was like, “because it sets you up to see Gaga’s sexuality as a way that she can be oppressed or hurt, and then it tells you to see her sexuality as a way for her to be powerful and victorious, and the transition from one way of seeing to the other is really great.” And she was like “yes, probably, but also I think I like the outfits and dancing!” And that is why people make fun of me when I talk about Lady Gaga.
Well at that point you're just defending her because of subjective taste, and I can't deny you that, dogg.Well, as I noted, I DID find her funny. And there's the point where she says:She's not funny there
I think she's aware that she looks at Lady Gaga in a way that is different from the way most people look at Lady Gaga and, to some extent, how Lady Gaga sees herself, and she's aware of how silly the whole thing can get.A friend was talking to me, and she was like, “I can’t figure out why that video makes me so happy.” And I was like, “because it sets you up to see Gaga’s sexuality as a way that she can be oppressed or hurt, and then it tells you to see her sexuality as a way for her to be powerful and victorious, and the transition from one way of seeing to the other is really great.” And she was like “yes, probably, but also I think I like the outfits and dancing!” And that is why people make fun of me when I talk about Lady Gaga.
I don't think this is the be-all-end-all analysis of the Telephone video, but I enjoyed the entire review and I don't think there was anything fundamentally wrong with the way she went about it. It's certainly not going to be appreciated by everyone, but then neither is Lady Gaga.
Right. Her style of humor is petty, childish, and missing-the-point. Her academic points are sorely at a loss because of her obvious disconnect.I don't think there was really anything at issue there other than subjective taste, so there's not much else to defend. I do acknowledge that if she focused solely on the analysis the article would be more universally appealing, but I think Gaga's performance art in general is so outlandish that a drab "academic" paper discussing it would be somewhat of a disservice. Meanwhile, if Sady's style of humor matched yours more I don't think you'd have had an issue in the first place.
OOH OOH PICK ME PICK ME!Why are all "redemption" songs always done by hipster morons?