My understanding
Bubble181 is that the best digital reproduction of analog sound is limited to 1/2 your total sample frequency (which is what Fade and I were discussing), which means a 128k SACD would adequately reproduce up to 64kHz. I have some 24bit 96kHz DVD-audio media which was included with my Soundblaster card in an effort to show off its ability to reproduce really high fidelity sound*. Thus, even if your sample rate is as high as 192kHz (which is ridiculous for human use), that halfway mark of 'best reproduction' would top out at 96kHz. Human hearing tops out around 20-24kHz, which is part of why CD audio is sampled at 44kHz (44/2 = 22kHz).
The sample rate is only half the equation, of course. To imagine sound as waveforms on a graph, the sample rate is akin to the X-axis. The higher the sample rate, the closer together and more fine-grained your reproduction of the
frequencies involved. Here's a crude representation:
Sample rate:16bit 44kHz
Sample rate: 16bit
88kHz (double the above)
If you could only draw your sound wave by completely filling in existing boxes, you can see that using the second grid has a better chance of being closer to the original, and the higher the sample rate goes, the closer and closer it gets. But to get even better reproduction, you also need to increase the sample size. Going from 16bit to 24bit gives you a 50% finer-grained Y-axis and lets you more accurately reproduce the
amplitude of the frequencies involved.
Sample rate
24bit
88kHz
Again, as the
quantized boxes get smaller and smaller (in height, width, or both), the approximation of the original smooth and curvy analog waveform loses more of its 'jaggies' and becomes more accurate...but at the cost of greater and greater file size. 96kHz just seems to be where the world decided audio was "good enough" for even the discerning people, the same way that 600dpi became "good enough" for scanners/printers, or 1080p (1920x1080) at 60Hz was chosen as "good enough" for televisions/monitors.
fade may jump back in with a thing or two to check my work, I look forward to his comments.
--Patrick
*There were a lot of safeguards built in to make sure you couldn't digitally extract the high-quality audio, too. It would disable digital out, for instance. It was like the early days of
HDCP.