Lou Lumenick said:"Sucker Punch" is what happens when a studio gives carte blanche to a filmmaker who has absolutely nothing original or even coherent to say.
Beth Accomando said:It's so bad that the Director's Guild should revoke Snyder's membership and he should never be allowed to direct again.
Laremy Legel said:My personal rule of film enjoyment goes a little like this: you can be miserable or pointless, but you can't be both. Sucker Punch works hard to be both.
Lisa Schwarzbaum said:Wild, loud, fetishistically stylized, and...numbingly dull.
.Julian Roman said:Zach Snyder has attended the Michael Bay school of filmmaking and graduated the top of the class.
Nick Pinkerton said:(The) mash-up set pieces blend into so-awesome-they're-awful slo-mo monotony, and the awful sisterhood stuff in between makes you anticipate the action as though waiting for the bus.
Leslie Stonebraker said:Like his porcelain heroine, anyone who willingly spends $13 for a ticket to this smut is willfully lobotomizing themselves.
This is just from Rotten Tomatoes, I've read some other hilarious scathing reviews.Roger Moore said:An unerotic unthrilling erotic thriller in the video game mold, "Sucker Punch" is "Last Airbender" with bustiers.
Not that I want to bash the movie, but I thought this tweet about it captured what the trailer made me think:This is just from Rotten Tomatoes, I've read some other hilarious scathing reviews.
After Sucker Punch, I'm convinced Snyder is going to cast Miley Cyrus as Lois Lane, bedazzle her nethers and tell her to pout for 2 hours.
I can't stand shitty reviewers like that. But that type of review will get clicks on their website, but attack a person's career with out second thought. In the end they just end up hurting the medium that they are supposed to love.
This is just from Rotten Tomatoes, I've read some other hilarious scathing reviews.
Yeah I'm kind of confused about this. I keep reading how it's all about "female empowerment" yet everything else I read, sometimes in the same sentence is about how the movie is basically school-girl fetish jerk off material. So I'm left wondering, when did putting women in a movie that seems specially designed to sexually objectify them for the intended audience become empowering?Anyone who thinks this movie is female empowerment is a complete idiot and ignorant sexist. The Tim Burton Alice in Wonderland was more female empowerment than this, and that entirely failed to achieve what it set out (which I'm sure was lobbed in by Disney). This thinks it's doing one thing and goes entirely in the other direction.
Of course not.I admit I have neither seen this movie or read reviews. Actually I don't even care about the movie (that is all disclaimer). I just have a general question I guess. Is it impossible for a woman to be both empowered and sexy at the same time?
No it's not impossible, it just isn't achieved by fetishizing one's-self. This movie seems to apply the logic that if the characters act poweful while they're dressed as sexualized versions of lusted-after female archetypes, that they somehow take control of that lust. Bullshit. All they've done is create a new sub-genre of the fetish.Is it impossible for a woman to be both empowered and sexy at the same time?
WOW. Thats not good. Maybe this will get him off Superman.According to BoxOfficeMojo.com, Sucker Punch barely grossed more than Diary of a Wimpy Kid 2 on Friday. Probably on track for a ~$20m opening
I don't think there's a point to that. To the people aware of it, it sounds like you're talking to them like idiots, so they won't take it seriously. To the people who don't, they see it as a way to get after you, so they won't take it seriously. It's lose-lose.I know the answer to the question. I'm trying to find out if other people do. If that is trying to find something to argue about then yeah I guess so. Either that or I'll just roll my eyes about it and move on, as usual.
lolA friend and I have been discussing the fantasy within a fantasy and the existence of Rocket, Amber and Blondie.
I like that it was a bit like Inception.
lolit was a terrific film.
Then he really will be Frank Miller.I look forward to watching him turn Lois Lane into a whore
Is it impossible for a woman to be both empowered and sexy at the same time?
There, done. Phew, that took it out of me.Of course not.
A movie can very easily be misogynistic without maliciously intending to do such.I don't really feel I need to go into whether or not it was misogynistic because I don't think it was set out to make any kind of point like that. It was just supposed to be 2 hours of entertainment and it handily accomplished that.
Well. I agree (that is BS!). There are some people who say, if a person who can't experience certain thing, can't really give "advice" about it.I honestly can't respond to most of the wall of text since I haven't seen the movie (and am not really tempted in a car-crash way), but the idea that men can't know anything about female empowerment and feminist issues is bullshit.
Those are the BEST kind of theatre experiences. Hot Fuzz and Scott Pilgrim vs. The World are among my best movie going experiences.most people in there had the same reaction to it that we did.
There's a real fucking surprise. You're all over this thread commenting on how shitty the movie is without having even seen it.I honestly can't respond to most of the wall of text since I haven't seen the movie (and am not really tempted in a car-crash way), but the idea that men can't know anything about female empowerment and feminist issues is bullshit.
To be fair I don't need to see an Uwe Boll movie to know it's going to be terrible. I'm not saying Snyder = Boll, just that it is possible to know something is probably going to suck without seeing it (especially if we are going off personal tastes here). I mean, I KNEW Transformers 2 was going to be one of the worst films ever made way before I drank a bottle of vodka and watched it.There's a real fucking surprise. You're all over this thread commenting on how shitty the movie is without having even seen it.
Itt doesn't matter if it's 300, Watchmen, or Sucker Punch, you can expect several things from Snyder's style:To be fair I don't need to see an Uwe Boll movie to know it's going to be terrible. I'm not saying Snyder = Boll, just that it is possible to know something is probably going to suck without seeing it (especially if we are going off personal tastes here). I mean, I KNEW Transformers 2 was going to be one of the worst films ever made way before I drank a bottle of vodka and watched it.
I hate your opinion, and you by extension! This conversation...is OVER! *slow mo dive as a huge explosion wipes out Soon-Yi, who was dressed as a catholic schoolgirl wearing MP40s as earrings*Thats what I'm talking about. One's personal tastes define what kind of pre-concieved notions (and the impressions of those they trust) they will carry into their view of a film, seen or unseen.
Of course that doesn't make it okay to "hate" anyone who likes a movie you dislike, but it does make it okay to have a difference of opinion, even a strong one.
This isn't directed at anyone here, but I just have to say that I'm tired of people HATING this movie to the point that they're getting mad at people who DO like it.
Critics can suck my d-
It is what we do....go read the transformer 2 thread from when that fucking travesty of a movie came out.This isn't directed at anyone here, but I just have to say that I'm tired of people HATING this movie to the point that they're getting mad at people who DO like it. Sure, hate a movie, but I feel like some people hate Snyder so much that they just want to hate the movie going into it. My friend got facebook un-friended (yeah, yeah, ha ha) today because someone got so upset that she liked the movie. This friend argued with her, deleted her comments, and then wrote her a parting message basically saying "Fine, whatever, can't stand you anyway. Have a good life." Really??
Bah, just had to vent. Just annoyed. And again, I'm not directing this at anyone here.
And on another note, some of those bad reviews are really hilarious.
I agree with most the things she said but I would've liked to have seen more character development. We had a glimpse at the lives of Rocket and Sweet Pea, but Blondie and Amber we know nothing about. Sure they were minor support, but I wanted to at least know why they were there.I think I get a little concerned when a reviewer says that "this movie isn't about character development" like it's a good thing.
I agree. I think the movie could use more backstory (at least something) on the other supporting characters.I agree with most the things she said but I would've liked to have seen more character development. We had a glimpse at the lives of Rocket and Sweet Pea, but Blondie and Amber we know nothing about. Sure they were minor support, but I wanted to at least know why they were there.
To defend Michael Bay just a little bit, I think he can be a fairly solid director, but he just knows making a $300m gross high-budget/event movie requires no effort. I stand by Bad Boys 1, 2, and The Rock as pretty fucking good action movies.Zack Snyder is an even less competent director than Michael Bay.
Compared to everything else he's done those movies are almost minimalistic.To defend Michael Bay just a little bit, I think he can be a fairly solid director, but he just knows making a $300m gross high-budget/event movie requires no effort. I stand by Bad Boys 1, 2, and The Rock as pretty fucking good action movies.
I'd agree up until about Bad Boys 2. Fuck that movie.To defend Michael Bay just a little bit, I think he can be a fairly solid director, but he just knows making a $300m gross high-budget/event movie requires no effort. I stand by Bad Boys 1, 2, and The Rock as pretty fucking good action movies.
I hate your opinion and you by extension but this is a really good point. A lot of the modern 'action' directors have confused "MORE" with "BETTER". More cuts, more explosions, more swearing, more loud music when tension isn't necessarily a function of speed. I compare the original zombie concept, a slow, monolithic unstoppable menace that we were scared of because "Fuck, they're going to keep coming and there's nothing I can do about it." to the modern reincarnation (hah) that is basically cracked out meth addicts on a sugar high. M Night Shamalamabananarama best scenes were slow, steady tension-building and atmospheric, Some of the biggest jumps I've had were in movies like Signs where the children are videotaping and someone's screaming in the background and a fucking alien walks across the street in front of them. There was no jump cuts between 6 different camera angles and a crushing score on top of it.Compared to everything else he's done those movies are almost minimalistic.
kinda match the wall o text I put out in my spoiler sectionThis answers a couple questions: http://screenrant.com/sucker-punch-spoilers-discussion-benk-107573/
If only there was some kind of button you could push that would create a new thread that you could entitle "Rango!" BUT HEY WHAT DO I KNOW I LIKE THIS THREAD SO I'M DUMB BLOOP BLEEPWe should all be talking about Rango instead of this pile o' shit.
to be fair, there are many crowds and reason to watch a movie.Why would you want to change this? This is awesome. It's
This movie was dumb and anyone who likes it is dumb
versus
These action scenes were great and anyone who didn't like it ruins movies by analyzing them and having standards
Then get out of this thread and make one for Rango. Easy.We should all be talking about Rango instead of this pile o' shit.
Sounds like Nick's prom night.Abstract!? HA! This fucking pile of steaming shit had the subtlety of a fucking brick to the back of the head.
To each their own mate I don't presume to understand other people's thought. I still haven't figure out how does the English Patient got so many awards. I can't watch that without falling asleep each time (I try to watch it in cable)Abstract!? HA! This fucking pile of steaming shit had the subtlety of a fucking brick to the back of the head.
You cant see it, but I am shaking my fist at my computer screen. Curse you Ravenpoe!I haven't seen the movie, and don't plan to, but I support it's efforts against the shannow.
RICHAAAAAAARDS!You cant see it, but I am shaking my fist at my computer screen. Curse you Ravenpoe!
you know, until I met my mother in law, I NOW firmly believe there are people who actually enjoy being angry and hateful all the time. I am not saying Shannow is that person, but maybe he just enjoy expressing his hatred for a movie cause it makes him happy?If youdon't likeHATE something so much, why keep watch over the thread and continue to tell us you hated it? WE KNOW.
I think he should tell us again, just to be sure.Or maybe, and just run with me on this one guys, he just thinks it sucks.
I'm going to have to see more smoke before I buy into that fire.Or maybe, and just run with me on this one guys, he just thinks it sucks.
A medical forum might be interested in the fecal-aural bleeding.Anyone who likes Resident Evil: Apocalypse is a fucking idiot, that bleeds shit out of their ears.
Now you may see where that is not a constructive conversation to have on any forum.
I am all for a good discussion of the movie good and bad. I am not flaming Shannow for his hatred for Sucker Punch. Like I said, this is not a movie that everyone can enjoy. I went to see it without reading a thing about it, then my wife told me about what the director said and hope to "convey" and I saw it again and see where it could lead that way.What? Shannow hardly comes across as vindictively hate-filled. And even so, who *doesn't* enjoy getting angry at something once in a while? It's a good release to direct your agitation at something that pushes your buttons. And furthermore, why can people not appreciate a good barb even if it's directed at something they like? I like some stupid shit, like the movie Resident Evil: Apocalypse movie, but I laughed pretty fuckin' hard at some of the quips delivered by critics (both professional and peers). You say those of us who disdain Sucker Punch take movies too seriously but you come across equally incapable of laughing at it.
And if you make a thread to talk about something, you don't get exclusive rights for it to only be about your point of view on it. We don't need heatherling's "I love Sucker Punch" thread and Shannow's "Sucker Punch is an abyss from which my soul will never return" thread. And conflict (relatively civil conflict) is infinitely more interesting than sitting around nodding in agreement. "I sure loved Sucker Punch." "Me too." "Yep." "Yeeeep." Excellent. I have gained more from the diverse tastes in the film, and I defend the presence of both camps, if only for my own amusement. Dance, monkeys.
Dance.
That really didn't happen here, it was implied, but no one outright did it.It wasn't personal, it was just about anyone in general.
That is the issue these opinion about films, steaks, pop music boils down to... one poster likes something that is not universally awesome, then another poster comes back to make blanket statements calling the previous poster an idiot.
well, if I did that, I apologize (not my intention)That really didn't happen here, it was implied, but no one outright did it.
You win at life. That is all.I'm going to name one day a year to be shannow day, and on this day, we shall screen sucker punch, and discuss the artistic merit of it's fine cinema.
Then there's:I freaking loved Sucker Punch and actually not only agree with heatherling that it had an "inception-y" vibe going on (I think there's actually 3 levels, not just 2) I literally said it out loud to Morphine at the theater. She loved it too, by the way.
You people take your movies (and what people think of them) WAY, WAY, WAAAYY too fucking seriously. It's a movie with nazi zombie robot soldiers and giant mechanical samurai being fought by pretty girls in revealing clothing.
Which I agree with.If you go in expecting more than that, you're the moron, not Snyder.
At which point, yeah, you'reI think there's a pretty solid message of solace for victims there.
I'm sure this is a real pick-me-up for victims of everything everywhere.DUMB BLOOP BLEEP
LOS ANGELES — Depending on who you talk to, Sucker Punch is:
a) An empowering feminist manifesto that subverts its fanboy fantasy framing.
b) Exploitative trash that doesn’t have a brain in its pretty tiny head as it teeters around CG explosions in hooker heels.
c) Both. But seriously, dude, don’t overthink it.
Whichever you choose, there’s no doubt the movie, now in theatres, proved a walk — or strut — on the weird side for its wild girls.
“I had no idea what to expect,” says Jena Malone of the training she underwent to play mouthy, munitions-prone Rocket. “I’d never stepped in a gym before in my entire life.”
How quickly things change when you sign on for a women-in-prison flick for the God of War crowd.
“I was nervous,” Malone remembers. “I didn’t even know what to wear (to work out), really. I walked out crying. I thought, ‘Oh my God, I don’t think I can do this at all.’ Then three weeks in, I started to gain 10 pounds of muscle and was completely addicted.”
Indeed, after training with the same folks who hammered the Spartans of 300 into fighting form, Malone and her fellow vixens were promptly throwing punches, swinging swords and wielding machine guns.
“It was rigorous but completely exciting,” Malone says. “You’re blind from sweating so much.”
Even Hudgens, who has a dance background, was left, as the movie’s tagline declares, unprepared.
“The second morning I woke up in Vancouver after working out, I was almost unable to walk, I was so sore. I’ve never experienced that kind of pain physically before in my life. But I showed up (on set) and the girls were there and they kept me going.”
Directed by mayhem maestro Zack Snyder, Sucker Punch stars Emily Browning as Babydoll, a psychiatric patient in a 1960s institution who, in order to escape a lobotomy, retreats into a fantasy realm where she battles zombies, dragons, monsters and robots. She’s joined by four other stripper ninjas: Blondie (Vanessa Hudgens), Sweet Pea (Abbie Cornish), Amber (Jamie Chung) and Rocket (Malone).
“Abbie and Emily and I did a month (of training) in L.A., a month in Vancouver and then (Hudgens and Chung) came in to join us for the third month,” Malone says. “So they did six months total and we did eight months total.”
Which isn’t to suggest the cast performed the stunts themselves.
“It’s strange a lot of actors are like ‘I do my own stunts.’ It takes years and years to train your body to do some of these stunts,” Malone says. “For me to walk in with some sort of presumption that in three months I’ll be able to learn what it’s taken someone a lifetime to master is just completely ridiculous. But they give you physical strength to endure shooting these sequences for 16-hour days, but it gives you a physical embodiment of the character. It’s not just generic action.”
However Sucker Punch is ultimately received, its characters are likely to be remembered alongside other famously fierce film femmes.
Which ones do they admire most? “Angelina Jolie, Sigourney Weaver, Uma Thurman in Kill Bill,” Hudgens says. “They were really strong women.”
“Sarah Polley in Dawn of the Dead,” Malone says, referring to Snyder’s 2004 remake. “I remember seeing that and thinking, ‘That is someone I’ve never seen; that is awesome.’ She’s this nurse who’s really tired and then totally kicks ass and makes the right decisions in the right moments.”
DVD to feature sexy scrapped scenes
Emily Browning’s sex scene with Jon Hamm isn’t the only sequence that got the hook in Sucker Punch.
So did the dance numbers its courtesans originally performed.
“We all worked really hard on these dances we had to do,” says Jena Malone. “They were very fulfilling and it was beautiful to step out of this very male-driven gym.”
What were the sequences like?
Malone describes her’s as a “sci-fi nurse zombie pole dance. I started up inside of a giant syringe and worked my way down the needle and then did a little jig.”
Jamie Chung, who plays mechanically inclined Amber, says she was “a bedazzled French maid.” And Vanessa Hudgens describes hers as “a belly dance. I got to dance with a knife. It was a spectacular Moroccan set.”
Still, while they’re disappointed the scenes didn’t make it to the big screen, audiences will eventually get to see them. “They will,” says Malone, “(on) the director’s cut (of the DVD).”
Presumably the same will be true of Browning’s love scene with Hamm, which was axed to secure a PG-13 rating in the U.S.
That was my reaction to the trailer!I had a friend who saw it and called it "a great 2 hour long music video."
No. Just no.Yeah, I'm getting a huge "half deja-vu" here. This thread is so similar to the Transformers 2 thread
I can totally go with thatI had a friend who saw it and called it "a great 2 hour long music video."
I like Dune and Hudson Hawk. They don't compare to Sucker Punch (Dune was awesome and I love Hudson Hawk, it is a fun comedy)The Cinema Snob compared it to Dune or Hudson Hawk. He didn't like it, but he thought that it would gather a cult following over time.
That's actually a good way to describe the film in a nutshell.I had a friend who saw it and called it "a great 2 hour long music video."
That is what I was saying. It is not Babydoll's storyTook Mike to see it today and he loved it. I'm almost convinced that it was all Sweet Pea's fantasy played through Babydoll... almost on the Sweet Pea train. It was even better the second time around, noticed a few things I hadn't seen the first time around. (I guess that's how 2nd times normally play out, though )
lol, nice. Snyder, master of the understatement.My favorite part about the whole sexualizing children angle of the movie is how in the opening scene, it makes a really blatant show of his father yelling out SHE IS TWENTY YEARS OLD and then walking over and writing it in huge, zoomed-in block letters on the admission form.
Um. The whole TWENTY YEARS OLD bullshit is getting made fun of since it's a really dumb transparent way for him to justify it. But it's still a character named Baby Doll that looks like a teenage schoolgirl.And yet, despite all that, 'child exploitation!!23`12311!
to what does this refer to?
circle jerk!!Pffft... who needs to wait? *whips it out*
Tidus, the main protagonist from Final Fantasy X, who dies at the end.
I would not say that I did any over analysis at all, but that it is just a terrible movie.I love how people over analyze things, create problems where there aren't any, then begin bashing away as if they had any foundation to stand on.
What really annoys me is the lack of any new (and good) MechWarrior or MechCommander games...What's with the surprising lack of Mecha in Western Media?
Harmony Gold!What really annoys me is the lack of any new (and good) MechWarrior or MechCommander games...
Oh right, how did that turn out?! Couldn't they just not use the Unseen models in the game?!Harmony Gold!
You got some numbers mixed up there. Fixed it for you though.FFIV... all others are mere shadows of its glory.
No, I'm pretty sure I had it right.You got some numbers mixed up there. Fixed it for you though.