Movie News & Miscellany

The Owl and the Pussycat is basically like a Cameron Crowe movie from the late 1960s with a shittier soundtrack, with Barbara Streisand as the magic pixie dream girl and George Segal as Whiny Uptight White Man-Boy.
 
The Owl and the Pussycat is basically like a Cameron Crowe movie from the late 1960s with a shittier soundtrack, with Barbara Streisand as the magic pixie dream girl and George Segal as Whiny Uptight White Man-Boy.
So, 'Along came Polly' meets 'What's up, doc?'... :p
 
Wonder how the Fantastic Four movie could be worse?


At least Miles Tellar is willing to reassure everyone that "Rarely are films of this size critically well received. This is not a movie we're going to go on Rotten Tomatoes and it's going to be at 80 or 90 per cent." (via BBC) Counter examples are left as an exercise to the reader.
 
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Minor spoiler for the backstory of one character in the new Fantastic Four film:



""It's clobbering time" is something Ben Grimm's abusive brother used to say before he slapped him about. Comic book fans will love that."


How do you manage to fuck up the iconic catchphrase for the franchise's arguably most iconic character?! (I say arguably, because an argument could be made for both Human Torch and The Thing.)
 
Minor spoiler for the backstory of one character in the new Fantastic Four film:



""It's clobbering time" is something Ben Grimm's abusive brother used to say before he slapped him about. Comic book fans will love that."


How do you manage to fuck up the iconic catchphrase for the franchise's arguably most iconic character?! (I say arguably, because an argument could be made for both Human Torch and The Thing.)
Scroll up a few posts. :p
 
Ah. Missed it in the sea of movie titles and prices.
The ones that don't appear on this page? Fess up--you adore the new Fantastic Four and are just trying to hide it.

At least Miles Tellar is willing to reassure everyone that "Rarely are films of this size critically well received. This is not a movie we're going to go on Rotten Tomatoes and it's going to be at 80 or 90 per cent." (via BBC) Counter examples are left as an exercise to the reader.
He says this in defense of Fantastic Four having currently 14% on Rotten Tomatoes, while the new DBZ movie is cruising at 100%* and that's surely no Academy Award nominee.



*granted, it's only eight reviews
 


I just started watching this guy's reviews recently, but they're pretty good. Here? He DESTROYS Fantastic Four. I can't think of another video where he's so angry.
 
I hope the movie loses so much money that Fox decides, "Y'know what, it's not worth it to keep the rights, clearly it's impossible to make a good Fantastic Four movie. Let Marvel have it back."

And then Marvel casts the EXACT SAME people and manages to make a brilliant F4 movie, just as a huge "fuck you" to Fox.
 
I don't blame him. Fox may have just torpedoed his career before it ever really took off, simply to preserve the rights to a franchise...

- That has NEVER had a hit
- Has been falling in popularity in it's original medium
- Isn't being supported by it's creators, who have actually stopped putting out issues completely

... entirely because some executives are terrified of what will happen to them personally if/when Marvel/Disney gets the rights back and puts out a smash hit. It's literally the Spider-man problem all over again: the only reason the movies get made are to keep the rights, but at least now Spidey is getting the treatment he deserves.
 
A lot of people figure, after this disaster, that Marvel will own the rights again and pretty soon. I don't know about the soon part because I believe they can hold onto the rights for 10 years before they NEED to make another one. From what I read, they had until 2016 to make another F4 movie or the rights would revert to Marvel.

Still, I think the next few months/years will be very interesting. Maybe Fox will be willing to let Marvel buy the rights back?
 
They might try to approach Marvel with a deal like Sony did, but because of the reasons Ash listed, Marvel would have a lot more bargaining power.

But has Fox now tainted the Fantastic Four's name to the point that even if Marvel put out an awesome movie for them, would people go see it?
 
A lot of people figure, after this disaster, that Marvel will own the rights again and pretty soon. I don't know about the soon part because I believe they can hold onto the rights for 10 years before they NEED to make another one. From what I read, they had until 2016 to make another F4 movie or the rights would revert to Marvel.

Still, I think the next few months/years will be very interesting. Maybe Fox will be willing to let Marvel buy the rights back?
Marvel wants the F4 rights, but not as badly as it wants X-Men (and mutants) back. Fox is going to try to hardball Marvel over this but it's not like Marvel needs the F4 back for anything right now... in fact, most of what they are doing works just fine on it's own. But Mutants? It's likely the concept of mutants being separate from Inhumans would go away fast, but simply having access to that catalog would make things like Runaways possible and if they really wanted to start fresh, they have stuff like New Mutants and House of M to make it all possible.

Fuck... considering what is going on in Agents of Shield, I could see Wanda saying "No More Inhumans" afterwards to justify a shift in the status que.
 
Beyond Trank's whining, there's also reports of him being coked out of his mind on set which is supposedly some of the reason Disney dropped him from Star Wars.
I don't blame him. Fox may have just torpedoed his career before it ever really took off, simply to preserve the rights to a franchise...

- That has NEVER had a hit
- Has been falling in popularity in it's original medium
- Isn't being supported by it's creators, who have actually stopped putting out issues completely

... entirely because some executives are terrified of what will happen to them personally if/when Marvel/Disney gets the rights back and puts out a smash hit. It's literally the Spider-man problem all over again: the only reason the movies get made are to keep the rights, but at least now Spidey is getting the treatment he deserves.
 
There's rumors that he was insanely hard to work with because he wanted to get all Kubrick on set and force actors to do hundreds of takes one right after another, among other things.
 
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