So, for those that haven't heard in the comics news,
artist Cameron Stewart and writer
Warren Ellis were both recently outed as sexual predators. Stewart was outed for "grooming" underaged girls. Ellis has messaged incredibly inappropriate things to various young women and asked for "favors" to help them get into the business.
I believe the women coming forward. I will support them however I can. For me, I don't know any of these people personally or professionally. I'm just a reader on the sidelines. And as a reader on the sidelines, it makes me question the "art vs artist" argument again.
Looking at my shelf, I realize I don't own a great deal of work from Cameron Stewart or surprisingly Warren Ellis. For Stewart, just his part of Morrison's Seven Soldiers and his work on Ed Brubaker's Catwoman run, which I adored. For Ellis, from what I can tell I just have the Planetary omnibus and I've been buying the new deluxe softcover editions of Transmetropolitan. Kind of surprising. I thought I had more.
And like previous creators, I'm torn on whether to keep their work on my shelf. I quickly disposed of Doug Tenapple's YA books when I found out he was a bigot against the LGBTQ community. I got rid of both Brian Wood's Northlanders and DMZ, even though I loved those books until I learned about how he treated some women. I'm continuously torn on keeping Chuck Dixon's work on my shelf after discovering he's not only a very staunch Trump supporter, but supports Comicsgate. And yet his run on Nightwing is one of my all-time favourite runs and I'm nostalgic for Knightfall/KnightQuest/KnightFall.
But I absolutely adore Brubaker's Catwoman run. Largely for the writing, but Cameron Stewart played a major role in that run, along with other artists like the late great Darwyn Cooke, Javier Pulido, and others. Same for 7 Soldiers, though Stewart did only 4 issues there.
And then Warren Ellis. Planetary is absolutely brilliant. I've considered re-buying The Authority. Transmetropolitan is cathartic and surprisingly just as relevant in its politics today, if not moreso. I ask myself "Do I keep buying the Transmet books that aren't out yet?"
Looking at this PURELY as a reader on the sidelines, it's difficult to feel comfortable having some of these works on my shelf, knowing what I know now about these creators. I know that some people can separate the art from the artist, but I find it very personally challenging.