.....what movie is that from? I swear I've seen it.Shame Cube (NSFW)
Aaaaaaaaaaaand the memories resurface. I don't know WHERE but I remember seeing this from a glimpse...as a little kid. At my age I thought they were just doing a silly dance or something.It's from a porno, The Babysitter #16
Your babysitters?Aaaaaaaaaaaand the memories resurface. I don't know WHERE but I remember seeing this from a glimpse...as a little kid. At my age I thought they were just doing a silly dance or something.
Edit: No wait, wasn't that! Looked it up and this was 2003. But there was some thing of this nature I saw as a kid and it looked weirdly like this.
No. It shows that the only people who go to movie theaters arr over 40.Doesn't that graphic suggest that people seek out the familiar (sequels and adaptations) rather than new stories?
Dude, we get it already. Modern society is comprised of reality show-addicted twits who have the IQ of cabbage (except it's not). Everything pre-2000 was a glorious golden age of creativity and brilliance (even if it wasn't).Except the majority of those are Adaptations and the thing they're mostly making fun of about today's films are that they are just sequels.
Dude, we get it already. Modern society is comprised of reality show-addicted twits who have the IQ of cabbage (except it's not). Everything pre-2000 was a glorious golden age of creativity and brilliance (even if it wasn't).
Actually, what it says is "Original Films in 2011: 0", counting adaptations as unoriginals. While most of the examples in 2011 are sequels, not adaptations, the point its making is CLEARLY about original versus unoriginal, not original and adaptation versus sequel. Sequels are just it's biggest example.Except the majority of those are Adaptations and the thing they're mostly making fun of about today's films are that they are just sequels.
You're right, my original picture is wrong, my statement for the year 2011 about Adaptations > Sequels stands correct and 2012 was a much better year for sequels not being all that there was.Actually, what it says is "Original Films in 2011: 0", counting adaptations as unoriginals. While most of the examples in 2011 are sequels, not adaptations, the point its making is CLEARLY about original versus unoriginal, not original and adaptation versus sequel. Sequels are just it's biggest example.
Incidentally, this year:
1 Marvel's The Avengers BV $622,217,210 4,349 $207,438,708 4,349 5/4 -
2 The Dark Knight Rises WB $441,497,581 4,404 $160,887,295 4,404 7/20 -
3 The Hunger Games LGF $408,010,692 4,137 $152,535,747 4,137 3/23 9/6
4 The Amazing Spider-Man Sony $261,102,260 4,318 $62,004,688 4,318 7/3 -
5 Brave BV $233,558,247 4,164 $66,323,594 4,164 6/22 -
6 Ted Uni. $217,516,135 3,303 $54,415,205 3,239 6/29 -
7 Madagascar 3: Europe's Most Wanted P/DW $215,641,011 4,263 $60,316,738 4,258 6/8 -
8 Dr. Seuss' The Lorax Uni. $214,030,500 3,769 $70,217,070 3,729 3/2 7/26
9 MIB 3 Sony $179,020,854 4,248 $54,592,779 4,248 5/25 -
10 Ice Age: Continental Drift Fox $157,970,346 3,886 $46,629,259 3,881 7/13 -
Two originals in the top ten so far this year, with Adaptations making up a third of it so far.
5 in a list of 10 is 6/10 how?You're right, my original picture is wrong, my statement for the year 2011 about Adaptations > Sequels stands correct and 2012 was a much better year for sequels not being all that there was.
Well unless you count your list being 6/10 Sequels.
KITTEN, I AM DISSAPOINT[DOUBLEPOST=1348523874][/DOUBLEPOST]
Shouldn't Amazing Spider-Man be a sequel, I mean if the original counted one of the Bond films as a sequel. Just so the logic is consistent.Actually, what it says is "Original Films in 2011: 0", counting adaptations as unoriginals. While most of the examples in 2011 are sequels, not adaptations, the point its making is CLEARLY about original versus unoriginal, not original and adaptation versus sequel. Sequels are just it's biggest example.
Incidentally, this year:
1 Marvel's The Avengers BV $622,217,210 4,349 $207,438,708 4,349 5/4 -
2 The Dark Knight Rises WB $441,497,581 4,404 $160,887,295 4,404 7/20 -
3 The Hunger Games LGF $408,010,692 4,137 $152,535,747 4,137 3/23 9/6
4 The Amazing Spider-Man Sony $261,102,260 4,318 $62,004,688 4,318 7/3 -
5 Brave BV $233,558,247 4,164 $66,323,594 4,164 6/22 -
6 Ted Uni. $217,516,135 3,303 $54,415,205 3,239 6/29 -
7 Madagascar 3: Europe's Most Wanted P/DW $215,641,011 4,263 $60,316,738 4,258 6/8 -
8 Dr. Seuss' The Lorax Uni. $214,030,500 3,769 $70,217,070 3,729 3/2 7/26
9 MIB 3 Sony $179,020,854 4,248 $54,592,779 4,248 5/25 -
10 Ice Age: Continental Drift Fox $157,970,346 3,886 $46,629,259 3,881 7/13 -
Two originals in the top ten so far this year, with Adaptations making up a third of it so far.
My understanding is that even though the Bond films change actors, they are regarded as one continuous series. But The Amazing Spider-Man is no more a sequel to SpiderMan than the Incredible Hulk was a sequel to the Hulk, or Christopher Nolan's Batman was a sequel to Tim Burtons.KITTEN, I AM DISSAPOINT[DOUBLEPOST=1348523874][/DOUBLEPOST]
Shouldn't Amazing Spider-Man be a sequel, I mean if the original counted one of the Bond films as a sequel. Just so the logic is consistent.