Snape is a leaf on the wind. Watch how he soars.
I'm still waiting for that Terminator 2 thread to get back on topic.Kissinger said:So how long would you say I can ignore this thread before I should check to see if there is actual discussion happening again?
AV Club said:The sixth Harry Potter movie is essentially a film in limbo. It begins with a wordless shot of Harry (Daniel Radcliffe) still reeling in emotional agony from the events of the last movie, and ends on a miserable moment with no sense of hope, or of a plan for the future. Those two anguished sequences set the tone for a fantasy-franchise installment that’s more about atmosphere than story; between them, many things happen, but only the last 20 minutes or so have real repercussions. The rest is buildup, backstory, and plot sidebars signifying nothing, but it’s mighty artful nothing, in which beautifully designed and composed shots and a relentlessly ominous mood give a surprising weight to adolescent love affairs and an exceedingly minor mystery.
To the degree that Half-Blood Prince has a plot rather than a series of milestones in the vast, eight-film arc set to conclude in 2011 (the last book will be split into two films), it revolves around teen wizard Harry Potter trying to pry key information about his evil arch-nemesis Voldemort out of meek, self-serving magic teacher Jim Broadbent. Simultaneously, Harry tries to deduce the identity of “the half-blood prince” who used to own his old textbook, and various romantic developments absorb his friends Ron, Hermione, and Ginny. Familiar characters pop in and out for cameos, and the film even finds time for Quidditch, though director David Yates (who helmed the last series installment, and will tackle the last two as well) finds ways to make even a silly made-up sport played on flying broomsticks look grim and melancholy.
But the film’s real focus is on the evolving sense of dread taking over Harry’s world, for reasons barely seen at all in the film. And all this creeps forward at a remarkably unhurried, deliberate pace, the antithesis of the series’ opening films, with their giddy roller-coaster feel and “Whee! Magic!” theme. It takes a significant amount of investment in the Harry Potter world to make Half-Blood Prince relevant, let alone sensible; the film makes no concession to newbies, and thankfully spends virtually no time reiterating points already covered in previous installments. But those already involved will find that the series has matured much as the books did. This is the darkest, saddest, most sophisticated Harry Potter film yet.
so you want sitcom pacing in your movie?stienman said:1. Make audience laugh
2. Wait until they stop laughing
3. Make the characters talk again
They skipped step 2 at least two times I recall where some dialogue was missed because we were still laughing over the last little bit of teh funneh.
I'm reasonably certain there's a happy medium between "funny scene and more dialogue immediately" and "funny scene ... pause ... more dialogue" There's absolutely never any need to 'stand around awkwardly' - that's just poor scripting/acting. Natural pauses can be built into most work.Kissinger said:so you want sitcom pacing in your movie?stienman said:1. Make audience laugh
2. Wait until they stop laughing
3. Make the characters talk again
They skipped step 2 at least two times I recall where some dialogue was missed because we were still laughing over the last little bit of teh funneh.
EDIT: Like, characters just standing around awkwardly while they wait for everyone to stop laughing?
I tend to add my own.Cat said:I'd like a laugh track so I know when it's time to feel silly.
Well, I haven't seen the movie yet, so I don't know how they handle it. It could be that the way the comedic scenes were written, directed, acted, and edited made them a bit awkward. When I see it, I'll get back to you on this.stienman said:I'm reasonably certain there's a happy medium between "funny scene and more dialogue immediately" and "funny scene ... pause ... more dialogue" There's absolutely never any need to 'stand around awkwardly' - that's just poor scripting/acting. Natural pauses can be built into most work.
But I'm sure you know a lot more about this than I, so perhaps there is no middle ground.
The ultimate disgraceCalleja said:Seriously, idiot, remove my name from my signature.
That's disruptive.Krisken said:I tend to add my own.